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Review: ‘The Mark of Cain’ at Synetic Theater

Fans of Synetic Theater’s music-and movement-based works derived from classic texts will find a surprise twist in the company’s latest offering. Typically, s Synetic extravaganza creates a vivid other world, someplace unto itself, visually voluptuous, aurally luscious, always a trip to somewhere fantabulous. But with The Mark of Cain, Synetic’s first wholly original devised work […]

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Review: ‘Night Tide’ at the New York Musical Festival

Ancient sea lore meets Sixties beach party in Night Tide, a new musical parody by Taylor Tash (book and lyrics) and Nathania Wibowo (music), based on Curtis Harrington’s 1961 B-movie thriller of the same name starring the young Dennis Hopper. Playing a limited engagement at the Peter Jay Sharp Theater in this year’s New York […]

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2017 Capital Fringe Review: ‘Portraits of GRRRLs

The production of Portraits of Grrrls felt like I walked into a high school guidance counselor’s activity. This should not diminish the discussions, content, importance, and impact this activity has, I’m just not sure this is the venue for this message heavy performance. Kelly George full review on DC Theatre Scene   Check other reviews and show […]

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Review: Contemporary American Theater Festival (CATF): ‘Everything Is Wonderful’

The Amish with their horse and buggy, 19th century culture; their simple, old world uniforms and habits; their infamous Rumspringa where the teenage Amish is given the opportunity to choose between the church and the outside “English” world; and, after the West Nickel Mines school massacre, the Amish’s capacity to forgive. Chelsea Marcantel’s Everything is […]

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An Interview with Josh Hitchens and Ryan Walter: Going Dark in the New Jersey Fringe with ‘The Confession of Jeffrey Dahmer’

Between 1978 and 1991, Jeffrey Dahmer committed the shocking murders of seventeen men, involving necrophilia, dismemberment, cannibalism, and the preservation of the victims’ body parts. After years of law enforcement and the public ignoring the many signs that could have led to his earlier capture, he was ultimately found “guilty but sane” in 1992, and […]

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Review: ‘The Tempest’ at Annapolis Shakespeare Company

Annapolis Shakespeare Company’s production of Shakespeare’s The Tempest is a colorful, spirited spectacle. Co-directed by Donald Hicken and Sally Boyett, The Tempest is performed outdoors, in the gardens of the historic Charles Carroll House. It combines talented acting, directing, choreography, and lighting with a beautiful setting for a night of wonderful theater, with magic, romance, and […]

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Review: Contemporary American Theater Festival (CATF): ‘Byhalia, Mississippi’

Evan Linder‘s Byhalia, Mississippi pulls theatre-goers into familiar territory: the “white trash” world of Laurel and Jim. Once there, however, the unfamiliar takes shape: amidst the gutter talk, the racist behavior, the working poor’s low life, and the familial muddle, an endearing respect emerges for the grit and determination and love of Laurel and Jim. […]

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Review: ‘Tick Tick… BOOM!’ at Stillpointe Theatre

Before the emergence of the late legendary composer and playwright Jonathan Larson’s iconic Rent on Broadway, there was his semi-autobiographical rock monologue Tick, Tick… Boom! that he performed on and off as a solo show for several years. In 2001, five years after his untimely death at age 35, on the eve of Rent’s Off-Broadway preview, […]

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Review: ‘Bon Voyage! A Happenstance Escapade’ at Round House Theatre

Sunny and cheerful is how I felt after an hour or so with Happenstance Theater’s Bon Voyage! A Happenstance Escapade.  The original production, currently at Round House Theatre in Bethesda, made this usual cynic a co-conspirator and participant in the merriment. Its good natured, six member, seamlessly woven-together ensemble charmed me. There was bright chirpiness, […]

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Review: ‘Wig Out!’ at Studio Theatre

The world of  Wig Out! is a glittering fantasia on house ballroom culture. Tarell Alvin McCraney’s ingeniously metatheatrical 2006 script sets this play with music in the urban underground that came to mainstream attention with the 1990 documentary Paris Is Burning. It’s a subculture that offers safe space where refugees from white cis heteronormativity—mostly black […]

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2017 Capital Fringe Review: ‘Lakeboat’

Lakeboat was thought controversial when it debuted 40 years ago, but now it seems almost quaint, verging on classy. The very first script by David Mamet, it features many of the hallmarks of his style: vulgar language, clipped and repeated dialogue, and men being macho and misogynistic. Brett Steven Abelman full review on DC Theatre Scene […]

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