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In the Moment: ‘Crazy for You’ at Signature Theatre

What a giddy, joyful afterimage of mouthwatering kinetic alchemy. Under the confident direction of chemistry-setter Mathew Gardiner, Signature Theatre has produced an irresistible Crazy for You. It is a musical built upon an enduring George and Ira Gershwin songbook of tantalizing standards, and an unstuffy connecting storyline by DC’s own Ken Ludwig. What set my heart a-flutter […]

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Interview: Submersive Productions Co-Artistic Directors GLENN RICCI and URSULA MARCUM on ‘H.T. Darling’s Incredible Musaeum presents: The Treasures of New Galapagos, Astonishing Acquisitions from the Perisphere.’

In April of this year, I wrote: Submersive Productions has outdone itself with its new production, H.T. Darling’s Incredible Musaeum presents: The Treasures of New Galapagos, Astonishing Acquisitions from the Perisphere. Drawing on myriad arts and disciplines – performance, movement, video, lights, objects, interactive sets, exceptional puppetry and an original soundtrack – it is a […]

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Sunny (as Sandy) and Tahlia Ellie. Photo by Mark Garvin.

Review: ‘Annie’ at the Walnut Street Theatre

The sun’ll come out tomorrow Bet your bottom dollar that Tomorrow there’ll be sun…. Those familiar lyrics seem fresher than ever in Walnut Street Theatre’s new production of Annie. With its book by Thomas Meehan, music by Charles Strouse and lyrics by Martin Charnin, Annie is a musical full of optimism, hope and humor. Brimming […]

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Review: ‘The Craftsman’ at Lantern Theater Company

Guilty or not guilty? And of what crime? An intriguing real-life episode from 20th-century Art History provides the basis for The Craftsman, Bruce Graham’s latest world-premiere play commissioned and presented by Lantern Theater Company as part of its New Works Initiative. Directed by M. Craig Getting and featuring a dream cast of Philadelphia all-stars, the […]

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Review: ‘Junk’ at Lincoln Center Theater

A junk bond is a high-yield, high-risk maturity in the financial markets, and a greedy group of investors bought them and enjoyed the 10-12 percent interest that was sent out semi-annually, in most cases. Ayad Akhtar’s play, Junk, now playing at Lincoln Center in New York City, is a documentary that is informative and technically quite […]

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News: Capital Fringe Announces Venue Change and Application Details for the 2018 Capital Fringe Festival

Registration is now open for the 13th Annual Capital Fringe Festival. Those wishing to participate in the festival can apply from now through January 16th, 2018. The 2018 Capital Fringe Festival will take place from July 7th to 29th, 2018. Yesterday, Capital Fringe announced a venue change for the 2018 festival. After being headquartered in […]

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Review: ‘Crazy for You’ at Signature Theatre

I have a perpetual soft spot for Crazy for You, which was the first show I ever saw on Broadway. What with George and Ira Gershwin songs, Tony-winning choreography by Susan Stroman, and the wonderful loopy energy of Ken Ludwig’s book, a theater-mad teenage girl couldn’t have asked for a better introduction to the Great […]

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Review: ‘Hamlet’ at Aquila Theatre Company

Straight Outta Denmark Hamlet has a storied history, and the title role is one of the greatest in Shakespeare. It is also universally parodied:  the BBC’s 60 Second Shakespeare tabloid reports: “Bloodbath at Danish Court: ‘Mad’ Prince Hamlet Was Right All Along”. It has always been a magnet for critics and armchair theorists. Horace Howard […]

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Review: ‘M. Butterfly’ at The Cort Theatre

The characters Song Lilig and her consort René Gallinard are back on Broadway. Their play is M.Butterfly and its tale of a romance between a French diplomat (Gallinard, played by Clive Owen in the revival) and a young opera singer (Lilig, played by Jin Ha). This time out, director Julie Taymor has added her extraordinary […]

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Leonard C. Haas and Tim Rinehart. Photo by Chris Miller.

Review: ‘The Fantasticks’ at The Eagle Theatre

What’s not to like about The Fantasticks? It’s always been a modest, gentle show that goes down easy. The Eagle Theatre’s new production adds a few new wrinkles, putting its own stamp on this venerable musical without getting in the way of what’s made it work so well for over half a century. The original […]

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