Review: ‘Gypsy’ at Reston Community Players by Caroline Griswold Short

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The Reston Community Players (RCP) opened their 50th Anniversary season on Friday with Gypsy, known as one of the great American musicals. With music by Jule Styne, lyrics by a young Stephen Sondheim, and book by Arthur Laurents, Gypsy tells the story of the quintessential stage mother, Rose Thompson Hovick, known simply as Mama Rose in the show. With an energetic score, compelling storyline, and talented cast, RCP’s production of Gypsy does not disappoint!

L to R: Elizabeth Gillespie (Louise), Jennifer Lambert (Mama Rose) and Blake Brophy (Herbie). Photo courtesy of Reston Community Players.

L to R: Elizabeth Gillespie (Louise), Jennifer Lambert (Mama Rose) and Blake Brophy (Herbie). Photo by Traci J. Brooks Studios.

Director Paul Tonden and Scenic Designer Bart Healy set the tone right from the beginning of the show with a set featuring stage lights and curtain segments. Their use of a central curtain that left parts of the wings exposed was creative and immediately immersed the audience in the world of the theatre.

The show opens with a group of children auditioning for a talent show, and the kids in this performance: Kylee Hope Geraci (Baby June) and Sarah Makl as Baby Louise, were very cute. Geraci and her counterpart as Dainty June, Evie Korovesis, are hilarious in Andrea Heininge’s clever and funny choreography in the over-the-top performance numbers like “Dainty June and her Farmboys” and “Broadway.” Among the kids, the young newsboys (particularly the littlest one!) were absolutely adorable.

The cast of Gypsy at Reston Community Players. Photo courtesy of Reston Community Players.

The young cast members of ‘Gypsy’ at Reston Community Players. Photo by Traci J. Brooks Studios.

At the emotional heart of the show is the story of Mama Rose and her stop-at-nothing quest to turn her daughters into stars. Jennifer Lambert plays Rose with intensity, humor, and an appropriate touch of mania, and her powerhouse vocals nail Rose’s classic numbers, made famous by the legendary Ethel Merman. Lambert finds a balance between the humor of Rose’s insane pursuit of fame and the seriousness of the emotional damage she is doing to those around her. Her performance of the climactic number “Rose’s Turn” brought down the house and became wonderfully vulnerable. She and Herbie (Blakeman Brophy) had great chemistry, who brought out the vulnerability and sadness in Herbie’s character. In one crucial moment, his performance elicited several audible reactions in the audience.

As Louise, Elizabeth Gillespie was very compelling in showing the evolution from shy, awkward girl to confident woman, particularly throughout the striptease scene. She has a beautiful voice and used it to great effect to show Louise’s vulnerability and eagerness to please in numbers such as “Little Lamb” and “If Momma Was Married.”

 Tessie Tura (Shaina L. Murphy), Mazeppa (Karen Kelleher), and Electra (Jaclyn Young). Photo by Traci J. Brooks Studios.

Tessie Tura (Shaina L. Murphy), Electra (Jaclyn Young), and Mazeppa (Karen Kelleher). Photo by Traci J. Brooks Studios.

Although they don’t get much stage time, washed up strippers Tessie Tura (Shaina L. Murphy), Mazeppa (Karen Kelleher), and Electra (Jaclyn Young) stole every scene they were in. Their rendition of “You Gotta Get a Gimmick” was absolutely hilarious and each of their unique character choices and vocal types were used to great effect! Murphy was also hilarious as snooty secretary Miss Cratchitt.

Erich DiCenzo was also a standout as Tulsa—his dancing in “All I need is the girl” was fun and suave, and Heininge’s choreography showcased his skills well. It was easy to see why Louise was taken with him, and the two of them had nice chemistry.

The live orchestra, led by Mitch Bassman and his fine musicians, had some tempo issues throughout the show, but overall played the famous score well. The overture of the show is long, and the use of projections was a clever way to add interest to the beginning of the show—I would have liked to see even more use of projections in this section to set the show in time.

and the cast of Gypsy at Reston Community Players. Photo courtesy of Reston Community Players.

Jennifer Lambert (Mama Rose) and the cast of Gypsy at Reston Community Players. Photo by Traci J. Brooks Studios.

The design elements of the show, led by Scenic Designer Bart Healy, Technical Director Sara Birkhead, Lighting Designers Ken and Patti Crowley, Sound Designer Joshua Redford, and Costume Designer Kathy Dunlap, were executed  and designed very well. The Crowleys lighting design was exceptional and was particularly effective when they used the onstage lights at strategic moments.

Director Paul Tonden and Producers Chris Dore and Cara Giambrone have created a production of Gypsy that RCP can be very proud of. It’s a great evening of theatre to open their 50th season!

rcp

Running Time: Two hours and 45 minutes, including a 15-minute intermission.

Gypsy plays through November 12th, 2016 at CenterStage at The Reston Community Center – 2310 Colts Neck Road, in Reston, VA. For tickets, call the box office at (703) 476-4500, or purchase them online.

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Caroline Griswold Short is a dancer, singer, and actress who has performed around the DC region and across the east coast. She is a graduate of Duke University, where she earned degrees in Dance and English.

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