Author Archive | Patricia Mitchell

200x200 BootyCandy

Review: ‘BootyCandy’ at Iron Crow Theatre

You need to take up some sports. This weekend, Iron Crow Theatre (“Iron Crow”) opened the final show of its 2016-17 Season of Dark Play – the Baltimore premiere of Robert O’Hara’s Lambda Literary Award-winning semi-biographical comedy, BootyCandy. O’Hara’s sexy, subversive comedy, directed by Brandon Rashad-Butts, has been named the first-ever “official show” of Baltimore […]

Continue Reading
Cast of Here Be Dragons.

Interviews with Cohesion Playwrights Fellows, Part 2 of 2: Utkarsh Rajawat, Playwright of ‘Here Be Dragons’

After its award-winning Trans* Voices Workshop Series in Season 2, Cohesion Theatre Company (Cohesion) introduced a Playwrights Fellowship for Season 3. Cohesion’s Playwrights Fellowship aims “to provide comprehensive development opportunities for new and existing local playwrights to create new, full-length works for the stage.” The playwrights who were chosen to participate were each assigned a […]

Continue Reading
200x200 Alice Stanley and Lisa Davidson in Men On Boats. Photo by Shealyn Jae Photography

Review: ‘Men on Boats’ at Cohesion Theatre Company

MANifest Destiny, or Don’t Go Chasing Waterfalls Cohesion Theatre Company (Cohesion) is closing its third season with playwright Jaclyn Backhaus’s historical adventure-with-a-twist, Men on Boats. It’s a funny play that is likely to prompt interesting ‘on the car ride home’ discussions. And it sneaks in a small history lesson about Manifest Destiny and Westward Expansion […]

Continue Reading
Jen Diamond

Interviews with Cohesion Playwrights Fellows, Part 1 of 2: Jen Diamond, Playwright of ‘Porn: A Love Story’

After its award-winning Trans* Voices Workshop Series in Season 2, Cohesion Theatre Company (Cohesion) introduced a Playwrights Fellowship for Season 3. Cohesion’s Playwrights Fellowship aims “to provide comprehensive development opportunities for new and existing local playwrights to create new, full-length works for the stage.” The playwrights who were chosen to participate were each assigned a […]

Continue Reading
200x200 She Kills Monsters

Review: ‘She Kills Monsters’ at Spotlighters

“My party is a leather-clad dominatrix and an Elvin supermodel?” Shimmy into your chainmail and grab a broadsword, there’s an awesome campaign starting at Audrey Herman Spotlighters Theatre (Spotlighters) and they’re still looking for adventurers for their party. Spotlighters’ penultimate production of the season, Playwright Qui Nguyen’s AATE Distinguished Play Award-winning She Kills Monsters, will […]

Continue Reading
Stoop-Noises 200x200

‘The Show Must Go On!’ Preview, Part 2: Interview with Jessica Myles Henkin

Stoop Storytelling, the Baltimore-based live show and podcast that features regular people telling “the extraordinary, true tales of their lives” is partnering with Everyman Theatre to present a night of side-splitting stories about the real-life blunders and behind-the-scenes hijinx of the Baltimore theater community. In the spirit of Everyman’s last show of the 2016/17 season […]

Continue Reading
Stoop-Noises 200x200

‘The Show Must Go On!’ Preview, Part 1: Interview with Everyman Founding Artistic Director Vincent Lancisi

In conjunction with their last show of the 2016/17 season – the classic farce, Noises Off – Everyman Theatre is partnering with Stoop Storytelling to present a night of side-splitting stories about the real-life blunders and behind-the-scenes hijinx of the Baltimore theater community. The Show Must Go On! will feature some of Charm City’s favorite […]

Continue Reading
Anthony

Remembering Anthony Lane Hinkle

Last week, the theater community suffered a great loss with the death of Anthony Lane Hinkle. Below is a lovely tribute, penned by our fellow Baltimore theater reviewer, The Bad Oracle. Please feel free to share your own thoughts and favorite memories of Anthony below in the comments. “My heart is beyond heavy today as […]

Continue Reading
Face 2

Review: ‘That Face’ at Baltimore Center Stage

On Saturday, I attended the inaugural production in the newest post-renovation Baltimore Center Stage (“BCS”) performance space – the descriptively-named Third Space. BCS chose a play with its own impressive pedigree of “firsts” to debut in their brand-spankin’-new 99-seat black box theater: That Face. That Face was the first play written by precocious playwright Polly […]

Continue Reading
14568036_184931468614069_8762278301260652066_n

Review: H.T. Darling’s Incredible Musaeum Presents: ‘The Treasures of New Galapagos, Astonishing Acquisitions From the Perisphere’

In the less than two years since it was founded, Submersive Productions (“Submersive”) has established so positive a reputation that tickets to many performances of its new immersive theater experience, H.T. Darling’s Incredible Musaeum presents: The Treasures of New Galapagos, Astonishing Acquisitions from the Perisphere (“Musaeum”) were sold out well in advance of opening night. […]

Continue Reading
Henry v 2

Review: ‘Henry V’ at Cohesion Theatre Company

I was a bit skeptical when I first heard about Cohesion Theatre Company (“Cohesion”) setting its production of Shakespeare’s Henry V in Appalachia, smack dab in the middle of the feud between the Hatfields and McCoys. But then I remembered that this is Cohesion. Last year, Director/Co-Founder Alice Stanley set Hamlet in grunge-era Seattle and […]

Continue Reading