Author Archive | Ravelle Brickman

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Review: ‘Cabaret’ at The Kennedy Center

Cabaret, the blistering musical satire written more than 50 years ago by John Kander and Fred Ebb, stormed into The Kennedy Center this week with a performance that had the audience on its feet, and roaring with approval at curtain. The response is resounding proof that the show – both in its original form, created […]

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2017 Capital Fringe Review: ‘ClickB@it’

Internet addiction is no laughing matter. However, for the talented team now lighting up the stage at the Sprenger Theatre at Atlas, the Internet–and all the craziness it has produced–is the stuff of which jokes are made. In fact, this addiction – which has millions of otherwise normal people madly clicking away on their mobile […]

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2017 Capitol Fringe Review: ‘Show Business 101’

Welcome to show business! And welcome to Show Business 101, the comedy revue where four talented actors burst on and off the stage offering send-ups of various show biz situations, real and imaginary. Geoffrey Brand, Pamela Kasenetz, Peter Orvetti and Cristen Stephansky are the actors who’ve momentarily abandoned serious theatre in order to clown around. […]

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2017 Capital Fringe Review: ‘Exit Carolyn’

I love Fringe. And like many theatergoers, I head off each day with tolerance and hope. The tolerance is for shows that are long on ambition, and the hope is for something more. Imagine my surprise at finding that hope fulfilled on my second day of reviewing. The play is Exit Carolyn by Jennie Berman […]

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Report: ‘Justice for Shylock’ at the Library of Congress

The verdict is in: Shylock–the Jewish moneylender whose trial is detailed in Shakespeare’s The Merchant of Venice–has been exonerated. Supreme Court Justice Ruth Bader Ginsburg presided over the appeal, which was held at the Library of Congress and timed to coincide with its exhibition marking the 500th anniversary of the Ghetto. Shylock himself was portrayed by […]

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Review: ‘All Shook Up’ at Act Two at Levine

Seeing All Shook Up at Act Two at Levine last weekend was like an adventure in time travel. The show, which played for one weekend only, offered a glimpse of a long-ago world—1955, when Elvis Presley and his pelvic thrust took America’s small town teenagers (and their elders) by surprise—as well as the one to come. […]

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Review #2: ‘The Father’ at The Studio Theatre

It’s taken five years for The Father—the highly-acclaimed drama by Florian Zeller that shook Paris in 2012—to arrive in the Washington area. But now that it’s here—following sold-out performances in London and New York—this stunning puzzle of a play has settled in for a month-long DC debut at Studio Theatre, where audiences lucky enough to […]

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Review #1: ‘Outside Mullingar’ at The Keegan Theatre

Theatre-lovers searching for a sequel to Doubt—John Patrick Shanley’s prize-winning (and frequently revived) play about nuns and priests in an Irish-American enclave of New York—will be surprised to find that Outside Mullingar is as far away from the Bronx as a ballad is from rap. In fact, Outside Mullingar—now having its DC premiere at The […]

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Review: ‘Blood Knot’ at Mosaic Theater Company of DC

 South African playwright Athol Fugard’s early masterpiece, Blood Knot, has finally returned to DC. And, judging by the roaring ovation on opening night, those who can see this production during its brief run at Mosaic Theater Company of DC are in for an electrifying experience. The play, which marks the opening shot in Mosaic’s first […]

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Review: ‘The How and the Why’ at Theater J

The How and the Why – Sarah Treem’s celebrated play about science, feminism and generational rivalry – has just made its long-awaited DC debut at Theater J. The two-handed play is billed as a “fitting follow-up” to Theater J’s recent production of Copenhagen, in which two real-life male scientists – Niels Bohr and Werner Heisenberg […]

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Interview: Co-Directors Serge Seiden and Vaughn Ryan Midder on ‘Hooded, or Being Black for Dummies,’ Now in World Premiere at Mosaic Theater Company of DC

I first encountered Hooded, or Being Black for Dummies five months ago, when it was presented at The Kennedy Center’s Page-to-Stage Festival. Hearing the play at that first public reading was an electrifying experience. Now this dark comedy—the third in a series about coming of age in America—is having its world premiere as a fully-staged production […]

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