Author Archive | Ravelle Brickman

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Review: The Second City’s ‘Unelectable You’ at The Kennedy Center

Billed as “The Second City’s Completely Unbiased Political Revue,” Unelectable You—now in the middle of a four month pre-election national tour—paused in Washington, DC last weekend for a stop at The Kennedy Center’s Eisenhower Theater. More than a thousand people—mostly Hillary supporters—filled the orchestra and both balconies for a two-night stand in which improv morphed […]

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Review: ‘The Last Schwartz’ at Theater J

There have been so many plays about dysfunctional families—think about August: Osage County, for example, or The Sisters Rosensweig—that it’s hard to believe that anyone would try to produce another one about warring siblings coming together after a parent’s death. Yet, in the hands of Adam Immerwahr, Theater J’s newly appointed Artistic Director, The Last Schwartz […]

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Page-to-Stage New Play Festival: ‘Hooded, or Being Black for Dummies’ at Mosaic Theater Company of DC

Mosaic Theater Company of DC Unveils Hooded, or Being Black for Dummies. Full Production Set for World Premiere in January 2017 One of the most highly anticipated new plays of the 2016-17 season—Hooded, or Being Black for Dummies—had its first public staged reading on Monday as part of The Kennedy Center’s 15th Annual Page-to-Stage Festival, held over […]

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Review: ‘Satchmo at the Waldorf’ at Mosaic Theater Company of DC

It’s poignant and painful, funny and moving. Yet most of all, Satchmo at the Waldorf—the beautifully-wrought one-man show that opened to a packed house Monday night—is vastly entertaining. As such, Satchmo—which depicts the great Louis Armstrong recording some of his memories in his dressing room at the Waldorf, following what would become his final performance […]

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2016 Capital Fringe Review: ‘Underneath the Lintel’

Pat O’Brien’s solo performance in Underneath the Lintel has been captivating US and Canadian Fringe audiences for eight years now, and it’s not hard to see why. Seeing O’Brien—a longtime star of movies and television—up close and in the flesh is a mind-boggling experience. It’s a virtuoso performance, breathtaking in its depth and speed. Yet […]

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2016 Capital Fringe Review: ‘Whisper Into My Good Ear’

The scene is deceptively simple. It’s winter. Two old men—one shivering in a sweater, the other swaddled in layers of coats and hats—are sitting on a park bench, contemplating the emptiness of what’s left of their lives. Is life, they ask—this kind of life, without human connections or hope for the future—worth holding onto? That’s […]

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2016 Capital Fringe Review: ‘The Human Algorithm’

She’s been described as a stand-up comic, a multilingual humorist, a playwright and a director. But mostly CJ, as she likes to be called, is a master storyteller whose ability to laugh at herself—and those around her—makes The Human Algorithm one of the most popular solo performances at this year’s Capital Fringe Festival. CJ is […]

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2016 Capital Fringe Review: ‘Do Not Disturb’

Anyone looking for a respite from this summer’s sultry heat need look no further than the stage at the Atlas Performing Arts Center, where Do Not Disturb—a cross between comic opera and bedroom farce—is having its world premiere as part of the 2016 Capital Fringe Festival. Presented by the Forgotten Opera Company—the contemporary sibling of […]

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2016 Capital Fringe Review: ‘Death Be Not Loud!’

Susan Jackson’s new play, Death Be Not Loud—produced by the Southern Railroad Theatre Company and billed as “a contemporary Southern comedy”—is a sweet reflection on love and loss, featuring two gifted actors whose lives are largely consumed by memories of the departed. Of course, the departed don’t all leave in the same way. Some people […]

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2016 Capital Fringe Review: ‘Ain’t That Rich’

In Ain’t that Rich, California-based writer and comedian Kate Robards delivers a dazzling solo performance, one as mesmerizing and powerful as it is funny. The show is now making its debut at the Martin Luther King Jr. Memorial Library as part of the 2016 Capital Fringe Festival. This mostly autobiographical riff on poverty and wealth […]

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Review: ‘Another Way Home’ at Theater J

Is it a coincidence that Another Way Home—which opened at Theater J on Monday night—just happens to coincide with the start of sleepaway camp for kids in the DC area? Not at all. That’s because this deliciously funny, poignant and occasionally painful take on parental and teenage angst—performed by a pitch-perfect cast of five actors—is […]

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Review: ‘El Paso Blue’ at GALA Hispanic Theatre

 ‘El Paso Blue’ in long-awaited East Coast Premiere at GALA It took roughly 20 years for Octavio Solis’ El Paso Blue to make it to Washington, DC. But now that it has arrived, the play—written and performed entirely in English—is enjoying a rousing reception at GALA Hispanic Theatre, where it has been brought to life under […]

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Playwright Octavio Solis on His Play ‘El Paso Blue’ Now Playing at GALA Hispanic Theatre

Texas-born Octavio Solis is one of America’s leading contemporary playwrights, yet he is relatively unknown in the DC area. Now El Paso Blue—one of his most powerful  plays—introduces his work to the nation’s capital with a short run at GALA Hispanic Theatre. Although he has never previously had a play produced in Washington, Solis—who is […]

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Review: ‘The Object Lesson’ at The Studio Theatre

The Object Lesson—a highly acclaimed one-man performance piece, set in a warehouse of the mind that is stacked with memories and the objects that evoke them—has finally arrived in DC, where it is having a limited run at Studio Theatre’s Stage 4. Billed as “part installation and part magic show,” this startlingly original presentation—which took […]

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Review: ‘The Pelican’ at Arcturus Theater Company

 Rare Production of Strindberg’s Pelican at Arcturus The Pelican—a Victorian melodrama long abandoned by modern producers —has happily returned to the DC stage in a brilliantly staged one-act play. It’s now on view for just one more weekend at the Arcturus Theater Company, located in a downtown church. Written by August Strindberg—a giant in the […]

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