Tag Archives | Capulets

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Review: Prokofiev’s ‘Romeo and Juliet’ with the National Symphony Orchestra at The Kennedy Center

Something of a high-stakes atmosphere pervades this week’s concerts by the National Symphony Orchestra. It’s performing an all-Russian program, always a touchstone harking back to the reign of Soviet émigré Mstislav Rostropovich over the NSO from the late 1970s to the mid-1990s. And this week’s conductor is the NSO’s incoming music director, Gianandrea Noseda, in […]

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Dangereuse: ‘The Lovers with a Thousand Faces’: ‘Romeo and Juliet’ at Shakespeare Theatre Company

Romeo and Juliet at the Shakespeare Theatre is a revelatory theatre experience. Director Alan Paul’s version of Romeo and Juliet has a complexity and richness that reaches deep into the meaning of the play. Romeo (Andrew Veenstra) and Juliet (Ayana Workman) light up when they are together. Their connection is electric and visceral, like certain barely […]

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2016 Capital Fringe Preview #49: ‘The Tragedy of Mario and Juliet’ by Wayne Nicolosi

From the Author Wayne Nicolosi: Growing up in New Jersey, every day was filled with natural, working-class comedians and poets. Whether mowing lawns, fixing cars or sitting at the bar, they told funny, unpredictable stories filled with day-to-day conflict, edgy romance, irreverent mock-epic references, and a distinctive philosophy. Sure these suburban bards went straight for […]

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‘Roméo et Juliette’ at Maryland Lyric Opera

Boy meets Girl. Girl meets Boy. They fall in love – at first sight – in spite of the enmity between their warring families, the Capulets and the Montagues. This timeless, tragic love story, penned centuries ago by William Shakespeare, received perhaps its most famous operatic setting in Charles Gounod’s 19th century opera, Roméo et […]

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‘Romeo and Juliet’ at Folger Theatre by Emily Cao

Shakespeare’s iconic star-crossed lovers certainly need no introduction… but Folger Theatre’s energetic interpretation of Romeo and Juliet may indeed herald some much-deserved praise. Director Aaron Posner certainly had a vision of a new Shakespeare – an amalgamation of modern acting and old-school style, it’s as though Ireland of the 1800s met the hipster culture of […]

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