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Tag Archives | DCMetroTheaterArts

Sondra Radvanovsky. Photo by Dominic M. Mercier.

Review: Sondra Radvanovsky in Recital at Opera Philadelphia

Sondra Radvanovsky’s recital as part of Opera Philadelphia’s O17 Festival was a spectacular event. That may seem like an oxymoron to some readers, who expect singer/pianist recitals to be intimate communions. She is a tall, majestic-looking woman with a huge voice. Here she entered what was, for her, the unfamiliar territory of small-scaled personal communication, […]

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Review: ‘Native Gardens’ at Arena Stage

Native Gardens is a bloomin’ hysterical comedy at Arena Stage Need something to boost you up? Perhaps something to make you, temporarily, forget the current political and social climate? Or, the threat of a wall rising on our southern border? Head to Arena Stage’s Mead Center for American Theater in Washington, D.C. You’ll have a […]

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Review: ‘Respect! A Tribute to Aretha Franklin’ at the American Pops Orchestra

Five fabulous divas joined the innovative new American Pops Orchestra to celebrate the music of Aretha Franklin at the Arena Stage’s Fichandler Stage on September 16. An energized audience sang, swayed – and, at times – nearly levitated above their seats as this breathtaking tour through Franklin’s years with Atlantic Records (1967-1979) called up vibrant […]

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2017 FringeArts Festival Philadelphia

2017 Philadelphia Fringe Festival Review: ‘#CocktailPlays’ by Juniper Productions at Philadelphia Distilling

For its inaugural offering in the Fringe, Juniper Productions, founded earlier this year, partners with Philadelphia Distilling for a themed site-specific presentation of four commissioned short plays, performed by three actors, in one hour. The quick-paced round of one-act #CocktailPlays, directed by Marcia Ferguson and produced by Sonya Aronowitz, considers stories and issues, from the […]

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Virginia Barrie and Susan Dewey. Photo courtesy South Camden Theatre Company.

Review: ‘Ripcord’ at South Camden Theatre Company

Ripcord is the story of a cutthroat battle of practical jokes and dirty tricks between two women in an assisted-living residence for the elderly. Does that seem unlikely? Then you’ve never met Abby and Marilyn, who aren’t your typical little old ladies. In David Lindsay-Abaire’s comedy, Abby has made an art of being difficult. She’s angered […]

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Review: ‘Lady M’ – A Co-Production of Collective Eleven, Women from Mars and Gitana Theatre at Atlas Performing Arts Center

In the first scene of LadyM, a show devised by Francesca Chilcote, Rachel Hynes, Vanita Kalra, and Anastasia Wilson, a woman dressed in white dumps an entire bottle of ketchup onto a burger. She tears the burger apart with her teeth, groaning with pleasure. The audience doesn’t know whether to laugh – to play along […]

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2017 FringeArts Festival Philadelphia

2017 Philadelphia Fringe Festival Review: ‘(insert thoughts here)’ by Bradley’s Bucks at Franky Bradley’s

In a delectable mash-up of the 2017 Fringe with an extended Restaurant Week, Franky Bradley’s gives festival-goers the option of enjoying dinner while attending the latest all-new offering by its all-male resident dance troupe Bradley’s Bucks, as dancers Tommy Schimmel, Teddy Fatscher, William Burden, Misha King, and Jake Van Horn (who just joined the herd) […]

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Review: ‘The Addams Family’ at Washington County Playhouse

The Addams Family, made famous by American cartoonist Charles Addams in 1938 in The New Yorker, became well-loved in the 1960s when adapted for television, starring John Astin and Carolyn Jones. This was then followed by an animated series in the 1970s and obtained cult status in the 1990s with feature films, starring Raúl Juliá […]

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Mierka Girten, Michael Shannon, and John Judd. Photo by Richard Termine.

Review: ‘Simpatico’ at McCarter Theatre Center

“Do you want to talk, or do you want to be cryptic and weird?” Those words – which sound like they might belong in a lot of Sam Shepard’s plays – appear in the first scene of Shepard’s Simpatico. And they set the tone for this sometimes cryptic, sometimes weird, but always riveting production at […]

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2017 FringeArts Festival Philadelphia

2017 Philadelphia Fringe Festival Review: ‘Marx in Soho’ by Iron Age Theatre/Radical Acts at the Ethical Society of Philadelphia

Actor and activist Bob Weick is back in the Fringe with his signature touring show Marx in Soho by Howard Zinn, which he first performed in the festival in 2004. Presented by Iron Age Theatre/Radical Acts and directed by John Doyle, the current production commemorates the upcoming 200th anniversary of the revolutionary socialist’s birth in […]

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Review: ‘I Killed My Mother’ at Spooky Action Theater

Andras Viskey’s I Killed My Mother, now in production at Spooky Action Theater, is a challenging bit of business. Its wordless opening is several minutes of wandering by various members of the company – some singly, some in pairs, some with the hint of a purpose, some walking into walls they weren’t expecting to find in […]

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Review: ‘Deathtrap’ at Silver Spring Stage

The opening of Ira Levin’s Deathtrap this weekend marked the start of the 50th Season for Silver Spring Stage. The play, which opened on Broadway in the late 1970s, is a suspense thriller with lots of laughter. The play, directed by Roxanne Fournier Stone and produced by Alika Codispoti, is full of plot twists that […]

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2017 FringeArts Festival Philadelphia

2017 Philadelphia Fringe Festival Review: ‘Mistress of the Maze’ by WeftWorks at CHI Movements Art Center

Hypnotic, transportive, and exquisitely beautiful, Mistress of the Maze marks the unforgettable debut of WeftWorks with its stunning world-premiere performance in the 2017 Fringe. Created, choreographed, and designed by Sarah Carr – an exceptionally gifted multi-disciplinary artist and recent transplant to Philadelphia, who launched the project earlier this year – the original work showcases her […]

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Review: ‘Cheeks’ at Plays and Players Theatre

First things first: Lee Minora’s solo show Cheeks is a laugh riot. Do not miss an opportunity to see this show. It is both whip smart and hysterical (both in the colloquial meaning and a feminist punning take on the word’s original meaning). In Cheeks, Minora plays a struggling actor, “Lee Minora,” who has delightedly […]

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Funny Girl logo, Candlelight Dinner Theatre

Review: ‘Funny Girl’ at Candlelight Dinner Theatre

What would you rather see: Fanny Brice singing on a tugboat in New York harbor, or a real live Fanny Brice in the Ziegfeld Follies? Funny Girl, the original 1964 Broadway musical, is a real stage animal, revisiting a classic era of American theatre. Most of its scenes are about theatre life and are set […]

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Review: ‘Rapture, Blister, Burn’ at Peter’s Alley Theatre Productions

In these days of constant bombast and weaponized words, when sounding reasonable and wanting to be open to another person’s point of view sounds almost quaint, Peter’s Alley Theatre has taken a quiet approach for its production of Gina Gionfriddo’s Rapture, Blister, Burn, a play that deals with feminist theories and human needs. As directed by Mark Kamie […]

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Review: ‘The Christians’ at Baltimore Center Stage

Spearheading a “season of community” and stimulating thought-provoking dialogue, Baltimore Center Stage headlines the first production of its 2017/18 span in electrifying fashion with rising playwright Lucas Hnath’s (author of the multi-Tony nominee, Broadway hit, A Doll’s House, Part 2) soul-searching drama, The Christians. The Christians’ majestic set converts the historic Pearlstone Theater into a […]

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