Tag Archives | Maryland Metro Theatre Arts

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An Interview with Josh Hitchens and Ryan Walter: Going Dark in the New Jersey Fringe with ‘The Confession of Jeffrey Dahmer’

Between 1978 and 1991, Jeffrey Dahmer committed the shocking murders of seventeen men, involving necrophilia, dismemberment, cannibalism, and the preservation of the victims’ body parts. After years of law enforcement and the public ignoring the many signs that could have led to his earlier capture, he was ultimately found “guilty but sane” in 1992, and […]

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Review: ‘The Tempest’ at Annapolis Shakespeare Company

Annapolis Shakespeare Company’s production of Shakespeare’s The Tempest is a colorful, spirited spectacle. Co-directed by Donald Hicken and Sally Boyett, The Tempest is performed outdoors, in the gardens of the historic Charles Carroll House. It combines talented acting, directing, choreography, and lighting with a beautiful setting for a night of wonderful theater, with magic, romance, and […]

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Review: Contemporary American Theater Festival (CATF): ‘Byhalia, Mississippi’

Evan Linder‘s Byhalia, Mississippi pulls theatre-goers into familiar territory: the “white trash” world of Laurel and Jim. Once there, however, the unfamiliar takes shape: amidst the gutter talk, the racist behavior, the working poor’s low life, and the familial muddle, an endearing respect emerges for the grit and determination and love of Laurel and Jim. […]

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Review: ‘Tick Tick… BOOM!’ at Stillpointe Theatre

Before the emergence of the late legendary composer and playwright Jonathan Larson’s iconic Rent on Broadway, there was his semi-autobiographical rock monologue Tick, Tick… Boom! that he performed on and off as a solo show for several years. In 2001, five years after his untimely death at age 35, on the eve of Rent’s Off-Broadway preview, […]

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Review: ‘Bon Voyage! A Happenstance Escapade’ at Round House Theatre

Sunny and cheerful is how I felt after an hour or so with Happenstance Theater’s Bon Voyage! A Happenstance Escapade.  The original production, currently at Round House Theatre in Bethesda, made this usual cynic a co-conspirator and participant in the merriment. Its good natured, six member, seamlessly woven-together ensemble charmed me. There was bright chirpiness, […]

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Review: ‘Wig Out!’ at Studio Theatre

The world of  Wig Out! is a glittering fantasia on house ballroom culture. Tarell Alvin McCraney’s ingeniously metatheatrical 2006 script sets this play with music in the urban underground that came to mainstream attention with the 1990 documentary Paris Is Burning. It’s a subculture that offers safe space where refugees from white cis heteronormativity—mostly black […]

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2017 Capital Fringe Review: ‘Lakeboat’

Lakeboat was thought controversial when it debuted 40 years ago, but now it seems almost quaint, verging on classy. The very first script by David Mamet, it features many of the hallmarks of his style: vulgar language, clipped and repeated dialogue, and men being macho and misogynistic. Brett Steven Abelman full review on DC Theatre Scene […]

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2017 Capital Fringe Review: ‘Lancer & Lace’

What would have happened if Lee Harvey Oswald’s assassination had failed – but the danger wasn’t over? Lancer and Lace pulls on this historical thread and weaves an interesting yet uneven tale of politics, love, and conspiracy. Ben Demers full review on DC Theatre Scene   Check other reviews and show previews on DCMetroTheaterArts’ 2017 Capital Fringe Page

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Review: ‘Oklahoma!’ at Prince William Little Theatre

Feel jaunty and energized after Prince William Little Theatre’s production of Oklahoma!. Enter into a land of wide open prairie fields, great company and even greater gossip. This cheery town blooms as bright as sunflowers in summer. Oklahoma! was the first musical written by the famous Richard Rodgers and Oscar Hammerstein team. The musical debuted […]

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Review: ‘King John’ at 4615 Theatre Company

Scandals, sibling rivalry, adultery and divorces represented daily living for England’s royal Plantagenet family, which held the dynastic reigns of power from approximately 1120 to 1490. The Plantagenets provided enough drama for two playwrights: William Shakespeare, who wrote The Life and Death of King John, and James Goldman who wrote The Lion in Winter. Under […]

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Review: ‘Oblivion’ at Unexpected Stage Company

“Games have rules,” Brooklyn-parent Dixon (Zach Brewster-Geisz) tells his wife, Pam (Mindy Shaw). They’re playing Boggle, Dixon has tried to play “Slurpee,” and both are a little wounded that their 16-year-old daughter, Julie (Ruthie Rado) has lied to them. Games have rules, and family relations are sometimes best understood as a game we sometimes agree […]

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