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Tag Archives | Misha Kachman

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Review: ‘Our Town’ at Olney Theatre Center

Thornton Wilder’s New Hampshire creation, Grover’s Corners, sits on some of the oldest rock in the world: “a shelf of Devonian basalt” crossed with “vestiges of Mesozoic shale,” we’re told. The oldest headstones in the cemetery are from the late 1600s, and filled with names that still populate Grover’s Corners in 1901, when the play Our […]

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Review: ‘Hir’ at Woolly Mammoth Theatre Company

I recently came back from London, where I saw the National Theatre’s 25th anniversary production of Tony Kushner’s epic, Angels in America. I thought a lot about that play after seeing Woolly Mammoth Theatre Company’s production of Taylor Mac’s brilliant (a word I rarely use) Hir (pronounced “here”). Both plays deal with crumbling belief systems, […]

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Review: ‘Smart People’ at Arena Stage

As soon as the lights come up on Lydia R. Diamond’s Smart People, now playing at Arena’s Kreeger Theater, the focus is clear. Or is it? Are four really “smart” people, who are only trying to save the world from itself, being shut down by an entrenched Western, “racist” mindset? Or are four “smart” people […]

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Review: ‘Midwestern Gothic’ at Signature Theatre

A native Midwesterner myself, I was eager to see Midwestern Gothic, Signature Theatre’s new show that is being touted as Misery meets Fargo, a thriller musical in the vein of Sweeney Todd set “in the middle of continental nowhere.” Midwestern Gothic features a cast of marginalized characters living forgotten lives on the fringes of society […]

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DCMetroTheaterArts’ Best of 2016 #14: Best Design in Professional and Community Theaters in DC/VA/MD

DCMetroTheaterArts’ Best of 2016 #14: Best Design in Professional and Community Theaters in DC/VA/MD Are: John Alexander for his lighting for Blackberry Winter at Forum Theatre. John Alexander for his lighting for Black Nativity at Theater Alliance. Brian Allard for his lighting for Sleeping Beauty at Synetic Theater. Clint Allen for his projections for Angels in America Part 1: Millennium Approaches: […]

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Review: ‘An Octoroon’ at Woolly Mammoth Theatre Company

Welcome to playwright Branden Jacobs-Jenkins’ world. You’re just living in it. Or, is it, welcome to 19th Century playwright Dion Boucicault’s world and Branden Jacobs- Jenkins is living in it? Or, is it, welcome to the world of a playwright named BJJ, who’s a character in a play by Branden Jacobs-Jenkins that’s a riff on […]

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‘West Side Story’ at Signature Theatre (Review)

Fabulous! Potent! Forceful! Tender! Let yourself fall in love again or for the first time with West Side Story. From the first note of the orchestra’s prologue, then quickly met with the syncopated cool snaps of fingers under shadowy light; Matthew Gardiner’s confidently vigorous touch guides Signature Theatre’s West Side Story into a burst of dance, […]

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The Women’s Voices Theater Festival: ‘Women Laughing Alone With Salad’ at Woolly Mammoth Theatre Company

Women Laughing Alone With Salad is a completely mesmerizing, multi-media show. Like a gourmet salad bar, this one has all the good stuff, plus a lot of dressings – and undressings. It earns five stars and a bushel basket of croutons. The really nice kind. Written by Sheila Callaghan and directed by Kip Fagan, the production […]

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‘Double Trouble (AKA The Parent Trap)’ at Imagination Stage

Imagination Stage presents Double Trouble (AKA The Parent Trap), based on Erich Kastner’s novel, Lottie and Lisa. This production is adapted by David S. Craig, with music by Marc Schubring and orchestration by Nico Gaik. This particular adaptation of the famous story (re-imagined many times over the years, particularly in film) is making its premier […]

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