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Capital Fringe 2014 Review: ‘Killer Quack’

(Best of the Capital Fringe) James Judd’s Killer Quack is one of those rare moments in the theatre that moves the audience along the spectrum of emotion. For fifty-five minutes, Judd walks an emotional tightrope, with moments when the audience believes he’ll fall into melancholy, or humor, but he never settles in an emotion. The […]

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