Capital Fringe Review: ‘Tent of Dreams: An Occuplay’ by Pat Davis

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The Baldacchino Gypsy Tent, with a loud crowd thronging in the bar next door, is the perfect setting. The crowd will likely be inside, too, standing against the edges of the tent, packed in for Nu Sass’ production of Tent of Dreams: An Occuplay, by Emily Crockett.

The fictional setting is McPherson Square. A young reporter, intent on livestreaming events at Occupy DC’s encampment, gets swept up in the Occupy movement, becoming a park denizen herself. The framework is a good one for the play, which explores Occupy DC’s motivations, modus operandi, and achievements.  Lydia, the reporter (played by Joanna Stevens) asks questions as an outsider and presses for clear responses, whether she is interviewing a park police officer or the most militant of the protesters.

Crockett, in fact, was a reporter – she covered the Occupy DC Movement for Campus Progress -and her play does a good job of faithfully representing the events, atmosphere and diversity in the movement. Abe, a homeless man, is fully drawn, beautifully played by Ed Klein. A police-averse anarchist, movingly played by Danielle Hutchinson, is given plenty of room to voice her more radical perspective, along with the events that gave rise to it.  A brainy, reasonable facilitator (Aubri O’Connor) is caught between respect for the ideals of the movement and the comforts of her nearby apartment and full-time job.  Jacob, an aspiring preacher (John Brougher) and Razz, a hippie (Kelly Keisling) are opposites in temperament but fully commit to the movement’s ideals.

And just what are those ideals? One of the valuable aspects of this play is that it spells them out, while at the same time delineating the struggles protesters had as they attempted to articulate them to a wider audience.  In one scene, a mainstream reporter asks what the movement is about.  “We’re against homelessness, corporate greed, environmental destruction,” comes the answer.  Reporter: “Can you be more specific?”

Tent of Dreams has informal, improvisational feel – a style that mirrors the Occupy Movement itself. And, as in the Occupy movement, decision-making on the play was collaborative. “We brought in a reporter and asked her to become a playwright,” director Emily Todd says in her program note. “We collected actors and asked them to hang out in a park, meet people, and then create a character based on those interactions. We spent weeks improvising before beginning to work with a script, which we edited together . . . .”

Because it faithfully renders the struggles, hopes, and accomplishments of Occupy DC and at the same time is watchable, funny, and even moving, Tent of Dreams is an important work, well worth every viewer’s time.

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Pat Davis is an author, poet, and playwright. With Dianna Ortiz, an American nun who was tortured in Gautemala, she co-authored "The Blindfold’s Eyes", an award-winning account of Ortiz’s torture, recovery, and search for justice. Long employed at the Guatemala Human Rights Commission as communications director and later as interim executive director, she has worked as an editor, translator, interpreter, and poet-in-the-schools. She earned an MFA in Creative Writing from American University. Her poems and translations have been published in various literary journals, and in 2010 she produced her first play, “Alternative Methods,” to good reviews in the Capital Fringe and the New York International Fringe festivals. She lives in Virginia with her husband and four-year-old daughter.