Meet The Cast and Director of Spooky Action Theater’s ‘The Wedding Dress’: Part 2: Meet Director Rebecca Holderness by Joel Markowitz

0
0
Director Rebecca Holdress. Photo courtesy of Spooky Action Theater.
Director Rebecca Holderness. Photo courtesy of Spooky Action Theater.

Spooky Action Theater is presenting The Wedding Dress by Nelson Rodrigues. The show is directed by Rebecca Holderness and stars Frank Britton, Michael Kevin Darnall, Dane Edidi, Stefanie Garcia, Rafael Medina, Aniko Olah, Tuyet Thi Pham, Randolph Curtis Rand, Mundy Spears, and Sue Struve.

In Part Two in a series of interviews with the director and cast, meet Director Rebecca Holderness.

Joel: Why did you want to direct this show at Spooky Action Theater?

Rebecca: The play deals with a subject that interests me- the inner life of a human being, and its new, to me at least. Spooky Action is a great lab and producer of new work. Both freeing and supportive.

What is it about the play that made you want to direct the show?

The play provides the challenge of balancing different representations of reality and cohere them at the emotional core. When we are in crisis we frequently start to experience reality or what we think reality is, differently. In addition the play is redolent of the atmosphere of a “film noir” murder mystery- so it’s a compelling challenge to direct. I like a challenge.

Introduce us to your cast and the characters they play. What and what you feel they will bring to their performances and why were they the perfect actors to play these roles.

The cast is all very creative and agile movement based actors, so they bring a strong collaborative skill set to the rehearsal room. Each plays an equal role in creating the world of the play through movement and language as well as investing in the emotional journey of the character. All of the actors but one play several characters and so each actor must find a central core of human experience that is expressed through these different characters.

It’s impossible for me to either single actor to describe. Characters are diverse but cluster around a woman and her family, the newsroom and a hospital in 1934 and a Madam, her brothel and her lover in 1904. These two strains are brought together by accident.

Introduce us to the designers and how their work will help bring your vision to the stage. How has their design changed since the first meetings?

It’s not easy for designers to create an environment for a play that’s not realistic. In addition they need (in this case) to remain flexible and responsive to an ensemble-based process.

Vicki Davis brings a long history with me as a director and an eye for architectural space.

David Crandall brings a multi media eye and ear to sound and is both musician and actor himself.

Erik Teague brings a necessary inventive extravagance and elegance to the project.

Fly Steffens who is both dramaturge and visual image curator brings a long knowledge of my work and playwrights eyes

Maya White brings an eye for understanding the Film Noir and the willingness to work with a white set (a real challenge for a lighting designer).

There are also props designers sculptors and set painters all working on the set. We have continued to simplify the set and costumes to facilitate the fluid nature of the play.

What did you know about Playwright Nelson Rodrigues before you became director of the show and what have you learned since you have become involved in this production that has surprised you?

I didn’t know anything about the NR before working on this play. The dramaturge and I have been talking and researching for many months. Then the cast joined us with their own research. We work with both a research blog and FB page exchanging and sharing information. This is a rich part of working in the theater- learning about new things. Theater people are surprising research nerds. What I like best is Nelson’s life as a journalist and his irreverence.

Which character in the play is most like you and why?

All the characters and I become intimate, so in a way they are all like me and not like me. It’s my job to continually identify with each character and see the play their point of view.

Mundy Spears (from left), Randolph Curtis Rand, and Dane Edidi. Photo by Franc Rosario.
Mundy Spears (from left), Randolph Curtis Rand, and Dane Edidi. Photo by Franc Rosario.

What do you want audiences to take with them after seeing The Wedding Dress?

Delight in seeing the world refracted back to them in a new way. An internal question about “what if it was I?” And a spirited debate over a drink or desert and coffee about “who did it?”

weddress.728x90-proof2.pdf-page-0011

The Wedding Dress plays from February 13 to March 9, 2014 at Spooky Action Theater-1810 16th Street, NW, in Washington, DC. For tickets, purchase them online. 

LINK
Meet The Cast and Director of Spooky Action Theater’s ‘The Wedding Dress’: Part 1: Meet Playwright Nelson Rodrigues by Luís Artur Nunes.

Previous articleAlvin Ailey American Dance Theater ‘Program A’ at The Kennedy Center by Carolyn Kelemen
Next articleDirector José Carrasquillo on ‘La Señorita de Tacna’ (The Young Lady from Tacna) at GALA Hispanic Theatre
Joel Markowitz
Joel Markowitz is the Publisher and Editor of DCMetroTheaterArts. He founded the site with his brother Bruce to help promote the vast riches of theatre and the arts in the DC Metro area that includes Maryland, Virginia, and DC theater and music venues, universities, schools, Children's theaters, professional, and community theatres. Joel is an advocate for promoting the 'stars of the future' in his popular 'Scene Stealers' articles. He wrote a column for 5 years called ‘Theatre Schmooze’ and recorded podcast interviews for DC Theatre Scene. His work can also be seen and read on BroadwayStars. Joel also wrote a monthly preview of what was about to open in DC area theatres for BroadwayWorld. He is an avid film and theater goer, and a suffering Buffalo Bills and Sabres fan. Joel was a regular guest on 'The Lunch and Judy Show' radio program starring Judy Stadt in NYC. Joel founded The Ushers Theatre Going Group in the DC area in 1990, which had a 25-year run when it took its final curtain call last year. Joel is a proud member of The American Critics Association.