It’s an honor to bring Peter Filichia’s column every week on Kritzerland called ‘Filichia on Friday’ to our readers on DCMetroTheaterArts.
Editor’s Note: I attended a reading of Merman’s Apprentice and I adored it. I hope you can make to Birdland on June 15th at 7 p.m.
Purchase Peter Filichia’s New Book The Great Parade: Broadway’s Astonishing, Never-to-Be-Forgotten 1963-1964 Season HERE.
Recent ‘Filichia on Friday’ Articles
May 29, 2015: May’s Leftovers and June’s Brainteaser
May 22, 2015: The answers to The 2015 Broadway University Final Exam.
May 15, 2015: Give Your Regards to Cagney and Creighton
May 8, 2015: The 2015 Broadway University Final Exam
May 1, 2015: April’s Leftovers and May’s Brainteaser
April 24, 2015: Paris Makes Me Thorny
April 17, 2015: Gigi’s New Gigi.
April 10, 2015: Two Notorious Theatrical Performances.
April 3, 2015: If You Insist on Hearing My Opinion …
Peter Filichia is the New York-based theater critic emeritus for The Newark (N.J.) Star Ledger newspaper and News 12 television station. He is also the author of Let’s Put on a Musical (Back Stage Books, 2007), now in its third printing; Broadway Musicals: The Biggest Hits /The Biggest Flops of the Season (Applause Books, 2010); and Broadway Musical MVPs 1960-2010: The Most Valuable Players of the Last 50 Seasons (Applause Books, 2011), chosen one of Publishers Weekly’s Top 10 Performing Arts titles of 2011. His new book, Strippers, Showgirls, and Sharks: A Very Opinionated History of the Broadway Musicals That Did Not Win the Tony Award, will be published in May, 2013 by St. Martin’s Press.
Peter has been a columnist for Playbill, Theater.com, Theatermania and Theater Week. He blogs weekly at MasterworksBroadway.com; and writes “Filichia Features”for Musical Theatre International’s Web site The Marquee, and “Filichia on Friday” for Kritzerland Records’ Web site.
Before joining the Theatre World Awards in 1996 as host and head of the selection committee, Peter served four terms as president of the Drama Desk. He has served on an assessment panel for the National Endowment for the Arts, and is currently critic-in-residence for the University of Cincinnati College-Conservatory of Music and the musical theater judge for the ASCAP Awards program.