Every year the Fringe produces a few real standouts among its more serious offerings. D.W. Gregory’s thoughtful and funny Salvation Road is an excellent example. Anchored by a talented young cast and brimming with intellectual brain food, Salvation Road is a powerful little play about the opaque nature of understanding and belief.
Our main character struggling with these elements is 17-
Cliff and his Big Mac-loving sidekick receive help along the way from younger sister Jill (Alexandra Yastishock), sensei nun Sister Jean (Kitty Felde), and cult exile Simi (Shaina Higgins). Grant Collins and Grace Eda Baker round out the cast as Elijah and Rebecca, two intoxicating cult members who sink their hooks into Denise when she’s at her lowest.
Gregory manages to pack a whole lot of substance into the play’s brusque 90-minute runtime, adr
Salvation Road is also blessed with a solid squad of designers. Jeffrey Dorfman’s sound design hits all the right notes. Lighting Designer Stefan Johnson keeps our focus exactly where it needs to be. Stephanie Fisher’s costumes — in particular the garb of the True Disciples women — couldn’t be much more perfect. James Raymond’s sparse-yet-effective assortment of set pieces and pops keep the action moving quickly and smoothly, all under Sproul’s keen direction.
What’s most satisfying is how vividly Gregory’s taut drama captures the complicated relationships we have with our loved ones, especially when priority shifts aren’t met with approval or support. What are you supposed to do when a loved one has made a major life decision of which you don’t approve? When should you stop trying to see things from their point of view and start trying to rescue them? Cliff confronts these and other questions during his hero’s journey, and we’re fortunate to be given a chance to hop along for the ride.
Salvation Road plays through July 25, 2015 at Atlas Performing Arts Center’s Lab II – 1333 H Street, NE, in Washington, DC. For more information and to purchase tickets, go to their Capital Fringe page.