Every time I send a reviewer to Howard University to review a show they always have this reaction: “Oh My God!!” And there were many divine moments when I saw the final perfomance of Howard University’s Spring Dance Concert entitled Unjust, a collaboration between The College of Arts and Sciences Division of Fine Arts, and the Department of Theatre Arts. Even the School of Communication chimed in with the effective videos which were with vintage newsreels which included Martin Luther King, Jr., President Lyndon Baines Johnson, and numerous young men who were unjustly killed by White Policemen recently. The videos were powerful and heartwrenching, and educational.
The videos set up the seven dances and the dance improv finale of Balante, (See below), that was one of the most joyous and exciting moments I have experienced in the theate or at a dance program, or concert, or performance. There was so much love and elation on that stage that I am still experiencing it two days later.
Choreographer Ella Rothschild spent the Fall 2016 working with the Dance Arts Students and her 12 Postdaded Checks, which part spoken and part dance was an attack on gentrification, and the effect it has on the economics and culture of the neighborhoods who they are trying to ‘replace.’ With music from by Valery Gergiev and the London Symphony Orchestra performing Romeo and Juliet’s Act I, Scene XIII’s Dance of the Knights, the piece was powerful.
The costumes were by Kendra Rai (except for Funnyhouse and Balante), and lighting was by TW Starnes and Fallon Williams (except for Power Goes , who provided the costumes for 5 dances and the lighting for 6 dances. And they appeared to use every color of the rainbow in their work and proved again why they are so well respected for their designs. Simply stunning!
Other Dance Performances were:
–Full Circle, with choreography by Chris and Ama Law, and music by Luis Salinas and Digital Planets by Melissa Harris Perrry.
–Incumbent, with choreography by multiple Tony Award-winning Hinton Battle, (Asisstant: Dionne D. Figgins), and music by Sang-o Park: Original by Dmitri Shostakovich.
—Eine Andere Art von Liebe (A Different Kind of Love), with choreography by Royce Zackery, and music by Kodo Drummers, Javier Navarette, Aaron Nicolos, and Bram Stoker.
–Excerpts from Power Goes, with choreography by Carrie Hanson, with Barbara Jordan’s 1976 Democatic Convention speech, and music performed by Jimi Hendrix: “Purple Haze,” “Fire,” and “Star Spangled Banner.” Sound Design by Mikhail Fiksel, and Original Lighting by Julie Ballard.
— Funnyhouse, with choreography by Crystal Michelle, and music by Cassandra Wilson, with costumes by L’Amour.
—Balante, with choreography by Assane Konte, and music by KanKouran West African Dance Company Drummers, with costumes by Assane Konte.
My favorites, besides Balante and 12 Postdated Checks?
–Incumbent with its classical ballet style – elegant, beautiful, full of passion – just like its choreographer Hinton Battle when I saw him perform on the stage.
—Eine Andere Art von Liebe (A Different Kind of Love):
A story about guilt, loyalty, and choice…Torn between his duty as a countryman and the forbidden love of his life, he paints a picture that truly shows the weakness of human moral and condition. A war he wishes not to fight, nor a war he believes in…He experiences and inflicts “a different kind of love.”
Frightening, powerful, and energetic with incredible choreography with awesome performances by all the dancers, it shook me to my core and left me shaken and afraid.
Congrats to all the choreogaphers and the amazing guest artists Dayton Contemporary Dance Dance Company and Dionne D. Figgins and the amazing dancers:
Tamiea Anderson, Bryan Archibald, Jaelen A. Buxton-Punch, Alex Clark, Raechelle Ellison, Na’ilah Harris, Tiana Jackson, Craig Kirby, Jr., Rahni Lindsey, Breanna Makkonen, Andre McKamey, Jordan McKnight, Ta’Shayla Montgomery, Vicqueria K. Smith, andKevin Thorne II.