News: ‘Olityelwe (The Forgotten)’ Returns to DC in Full Production for Two Performances Only at Theater Alliance

I reported on this extraordinary play when it was a staged reading at Theater J last June and said at the end: “Somebody needs to pick this one up and bring it back.” Well, that’s exactly what Theater Alliance has done—for two performances only September 16 and 17, 2017, at 8 pm at Anacostia Playhouse.

Olityelwe (The Forgotten) by Smoke and Mirrors Collaborative will be staged in conjunction with the remount of Word Becomes Flesh in Theater Alliance’s new Word Becomes Action Festival, which “explores the diversity of experiences and narratives of the African Diaspora.” 


In my report (reprinted below) I wrote
On the evidence of this staged reading, Olityelwe (The Forgotten) compares in substance, authenticity, and emotional force to Athol Fugard’s Blood Knot, seen recently at Mosaic Theater Company of DC, and Danai Gurira’s Eclipsed, which premiered at Woolly Mammoth Theatre Company.
This is an important opportunity to see an important play on its feet. Tickets are available online.


Magic Time!: Report on a Staged Reading of ‘Olityelwe (The Forgotten)’ at Theater J

[originally published July 4, 2017]

When Jonathan David Martin came from New York to DC to be Theater J’s new associate producer in March of last year,  he brought with him a backstory as co-artistic director and producer of the Smoke & Mirrors Collective, a theater company based in Brooklyn. He showcased a sample of that company’s work at Theater J as a one-night-only staged reading,  Olityelwe (The Forgotten) by Zoey Martinson. Fully staged, the play has had a run off-Broadway, performances at the Edinburgh Festival Fringe, and a tour in South Africa. The staged reading demonstrated that the play deserves a run in DC.

Jonathan David Marton. Photo by Leslie Hassler.

It was the original cast—Martin together with Zoey Martinson and Yusef Miller, who had come down from New York for the event—so the performance was more than a standard staged reading. At times the three were on scripts but more often they were spiritedly gumboot dancing—a rhythmic stomping-slapping-clapping style that originated in the mines of Johannesburg (and that reminded me of the high-energy step-dancing that StepAfrika! does).

Yusef Miller (Mandisi), Zoey Martinson (Thandi), and Jonathan David Miller (Jan), gumboot dancing in the original production of Olityelwe (The Forgotten). Photo by Hunter Canning.

The original production was directed by Awoye Timpo; its propulsive pre-recorded sound design was by John Emmett O’Brien, with original music directed by Tuelo Minah; its South African costume designs were by Lara de Bruijn, and the percussive choreography was by Sdudozo Ka-Mbili and Cuereston Burge.

Smoke & Mirrors “creates original works for theater and the web that combine socially relevant themes with an ambitious, multi-disciplinary approach to storytelling.” The company was cofounded by Martin and Actor and Playwright Zoey Martinson, and they both wear co-artistic director and producer hats.

Olityelwe (The Forgotten) was written by Martinson after working as a humanitarian aid worker at a refugee camp in West Africa and then traveling to South Africa to interview people living in the informal settlements around Soweto.

Zoey Martinson (Thandi) and Yusef Miller (Mandisi) in the original production of Olityelwe (The Forgotten). Photo by Hunter Canning.

The play creates a vivid world. It is set in Kliptown, a residential district of Soweto. And it tells a powerful story, a personal drama that heartbreakingly puts a human face on Africa’s HIV/AIDS epidemic. Thandi (Martinson), a college graduate living with HIV, is visited in her tiny shack by her dear, longtime friend Mandisi (Miller). She is not well. The remembered joy and laughter between them do not allay her symptoms nor alter her resolve to end her life. In between visits from a well-meaning local official, Jan (Martin), Mandisi tries to change Thandi’s mind.

On the evidence of this staged reading, Olityelwe (The Forgotten) compares in substance, authenticity, and emotional force to Athol Fugard’s Blood Knot, seen recently at Mosaic Theater Company of DC, and Danai Gurira’s Eclipsed, which premiered at Woolly Mammoth Theatre Company.

Somebody needs to pick this one up and bring it back.

Running Time: 80 minutes with no intermission.

Olityelwe (The Forgotten), presented by Smoke & Mirrors Collaborative, was read June 26, 2017, at Theater J – The Edlavitch DCJCC’s Aaron & Cecile Goldman Theater – 1529 16th Street, NW, in Washington, DC.


Musical Directo Tuelo Minah talks about the original music in Olityelwe (The Forgotten) (formerly titled Ndebele Funeral).

Choreographer Sdudozo Ka-Mbili talks about the gumboot dancing in Olityelwe (The Forgotten) (formerly titled Ndebele Funeral).

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John Stoltenberg
Among the hats John Stoltenberg wears are novelist and author, creative director and communications strategist, and avid theatergoer. Decades ago, in college, he began writing, producing, directing, and acting in plays. He continued through grad school—earning an M.F.A. in theater arts from Columbia University School of the Arts—then lucked into a job as writer-in-residence and administrative director with the influential experimental theater company The Open Theatre, whose legendary artistic director was Joseph Chaikin. Meanwhile Stoltenberg’s own plays were produced off-off-Broadway, and he won a New York State Arts Council grant to write plays. Then his life changed course: He turned to writing nonfiction and what became a distinguished career as a magazine editor. But he kept going to the theater, the art form that for him has always been the most transcendent and transporting and best illuminates the acts and ethics that connect us. He tweets at @JohnStoltenberg.