Author Archive | David Siegel

rsz_diavolo_poles

In the Moment: DIAVOLO ‘The Veterans Project: A Long Journey Home’ at The Kennedy Center

“We all move, we all walk, we all run, we all fall, we all can even dance.” said Artistic Director Jacques Heim of DIAVOLO. With a motto of “architecture in motion” DIAVOLO will be bringing its highly original, contemporary styles of dance and motion melded with architecture to the Kennedy Center’s Eisenhower Theater this month. What caught […]

Continue Reading
Robbie Schaefer. Photo by Christopher Mueller.

Review: ‘Light Years’ at Signature Theatre

How does someone pay honor to a deceased parent whom they loved dearly? How does a son give thanks to his father? And when does a son really come to learn what a father went through, in those many years way before the son was even born? In a gentle, sweet retelling of his relationship […]

Continue Reading
rsz_corey-cott_480

Review: ‘NSO Pops: West Side Story in Concert’ at The Kennedy Center

West Side Story remains glorious from its opening notes to its incredibly powerful final curtain. The National Symphony Orchestra’s (NSO) Pops concert version adds its own distinctive, intelligent luster and pizzazz to the decades-old theater staple that has had many a production in the DC area. With such a recognizable score (Leonard Bernstein), lyrics (Stephen […]

Continue Reading
rsz_lady_day_press-15

In the Moment: ‘Lady Day at Emerson’s Bar and Grill’ at Creative Cauldron

“Don’t threaten me with love, baby. Let’s just go walking in the rain,” is a quote attributed to the late, and lost-too-soon, singer Billie Holiday (1915-1959). Creative Cauldron’s production of Lady Day at Emerson’s Bar and Grill picks up from this Holiday quote to be one extraordinary, bewitching, helter-skelter walk in a chilled night time pouring […]

Continue Reading
rsz_big_fish02

In the Moment: Interview with Patrick Lord, Projection Designer

For regular theater-goers, we have seen that projection design is not a fad or an eye-popping, one-time visual effect. Projection design has become an integral part of many a production’s overall design storytelling elements. As technology has rapidly evolved, so has the use of projection design to help tell a theatrical story. Projections add their […]

Continue Reading
trojan2

Review: ‘The Trojan Women Project’ at Brave Spirits (Women’s Voices Theater Festival)

Brave Spirits Theatre adds its distinctive style to the Women’s Voices Theatre Festival with The Trojan Women Project. It is a singular event. The Trojan Women Project is packed with moments of dramatic sizzle from verbal and physical pokes and prods, along with striking flashes of sinewy poetry; surrounded by grounded, bracingly delivered monologues exploring knotty […]

Continue Reading
WVTF feature image

In the Moment Part 2: Interviews with Playwrights Dominique Cieri, Wendy Graf and Hope Villanueva (Women’s Voices Theater Festival)

This is the second part of a two-part series of interviews with Women’s Voices Theatre Festival playwrights. In this series, I asked the same questions to a number of Women’s Voices Theatre Festival (WVTF) playwrights, questions designed to learn more about what led to the development of the play. This article is not about reviewing […]

Continue Reading
Stevie Zimmerman. Photo courtesy of Fairfax Symphony.

In the Moment: Interview with Director Stevie Zimmerman on Special ‘Romeo and Juliet’ Performance

Inspiring generations of theater-goers and music lovers alike is one of the aims of Director Stevie Zimmerman by connecting the talents of the professional Fairfax Symphony Orchestra (FSO) with the music of Sergei Prokofiev’s Romeo and Juliet with The Bard’s Romeo and Juliet text. In an interview, Zimmerman explained the idea behind the Romeo and […]

Continue Reading
TRIAL FI

Review: ‘The Trial’ at Synetic Theater

The creative, resourceful folk from Synetic Theater have made another date with an old friend and literary powerhouse, well beyond the “silent” Shakespeare for which it is justly known. The author is Franz Kafka (1883-1924). The Kafka literary work that Synetic has adapted this time around is The Trial, a tale of bureaucracy gone rogue. […]

Continue Reading
Ashley Austin Morris. Photo by Teresa Wood.

In the Moment: ‘The Way of the World’ at Folger Theatre (Women’s Voices Theatre Festival)

There’s lots to like about Theresa Rebeck’s The Way of the World just as my DC Metro Theater Arts colleague Sophia Howes points out in her review. The show is the Folger Theater’s Women’s Voices Theater Festival production. There is one particular heavenly Rebeck-created character that in her earth-bound qualities delivers a critical subversive punch […]

Continue Reading
WVTF feature image

In the Moment: Interviews with Women’s Voices Theater Festival playwrights – Part 1

This is the first part of a multi-part series of interviews with Women’s Voices Theater Festival playwrights. In this series, I asked the same questions to a number of Women’s Voices Theater Festival (WVTF) playwrights. The questions were aimed at learning what led each playwright to develop their play. This article is not about reviewing a particular […]

Continue Reading
Ben Folds. Photo courtesy of the Kennedy Center.

In the Moment: Report on ‘Declassified’ with Ben Folds and Sara Bareilles at The Kennedy Center

Under the masterful, musical code-switching curation of National Symphony Orchestra (NSO) Artistic Advisor Ben Folds, the future for new audiences finding their way to the usually buttoned-up, High Arts atmosphere of a classical music venue was very clear at the most recent NSO Declassified concert. The one performance-only Declassified on Friday evening, January 12th, was […]

Continue Reading
Guilt7.s

Review: ‘Guilt, an opera without music’ at Scena Theatre

With its teasing, click-bait provocative subtitling, “an opera without music,” John Shand’s Guilt, having its world premiere by DC’s Scena Theatre, is a meaty, passionately provoking tale. Overall, Shand’s Guilt is a rare pearl; an admirable, sophisticated, verse-laden text, that has been made into a fine production under the sharp-edged direction and even sharper-eyed casting of […]

Continue Reading