Home 2019 CAPITAL FRINGE FESTIVAL

2019 CAPITAL FRINGE FESTIVAL

2019 Capital Fringe Review: ‘Little White Lies’

Four performers appear from unexpected places in the waiting area of the Peacock venue of St. Matthew's Lutheran Church. Emerging from hallways, stairways and...

2019 Capital Fringe Review: ‘All for the Union’

15 actors. 20 scenes. The Civil War. A lot is at stake in All for the Union, written by the prize-winning playwright, librettist, and...

2019 Capital Fringe Review: ‘Arcade’

Arcade is unlike anything you will experience at Fringe. Equal parts art installation, gaming experience, and nostalgia, Arcade perfectly encapsulates the feeling of walking into...

2019 Capital Fringe Review: ‘Iphigenia in Splott’

Set in a blighted corner of Wales, Iphigenia in Splott is a breathtaking one-woman show, imported from the UK and written by Gary Owen,...

2019 Capital Fringe Review: ‘The Knights of Salisbury’

The Knighthood Players’ Production of The Knights of Salisbury, by Tim Caron, directed by Tim Caron and Ilyana Rose-Davila, with music direction by Jason...

2019 Capital Fringe Review: ‘American Diet’

Here’s a show description you don’t see often: “A dark yet whimsical exploration of food, fitness, body image, and metabolic endocrinology.” And I will...

2019 Capital Fringe Review: ‘EyeSOAR’

EyeSOAR is primarily a dance performance which incorporates video, audio interviews, music, and the spoken word to tell the story of the Shirlington neighborhood...

2019 Capital Fringe Review: ‘Beyond These Walls’

Beyond These Walls is a provocative contribution to the Capital Fringe, and well worth seeing. It was originally devised in 2018 under the direction...

2019 Capital Fringe Review: ‘This Place of Ours’

When done well, dance has a unique ability to tell a compelling narrative through themes that audience members can then adapt to their own...

2019 Capital Fringe Review ‘What Wasn’t’

By Rebecca Kurtz Perhaps it is a matter of personal preference that at Fringe I am often more taken by the comedies than by the...

2019 Capital Fringe Review: ‘Nothing Broken’

Nothing Broken is an autobiographical one-woman show written and performed by Amanda Haddock, directed by Cathy Reinking. It tells the story of Hope, who...

2019 Capital Fringe Review: The Little Senator That Could

The Little Senator That Could held its world premiere at Capital Fringe on July 12, 2019, and it is nearly perfect for Washington, DC....

2019 Capital Fringe Review: ‘Six Months of Winter’

By Helen Ganley Conjuring up images of day and night, one imagines the sun cascading into a pink and purple horizon while the moon excitedly...

2019 Capital Fringe Review: ‘Good & Kissed’

Ladies, grab your closest friends, make a post-show dinner reservation, and head to Capital Fringe’s Good & Kissed for a night out that will...

2019 Capital Fringe Review: ‘Flirting Like an American’

George Washington University researcher Sufian Zhemukhov is a popular guy around Washington. He has several awards for his storytelling and some of the stories...

2019 Capital Fringe Review: ‘She Sings Light’

She Sings Light, written by Claudia Rosales-Waters and directed by Josh Sticklin, is one of four ‘curated’ shows in the 2019 Capital Fringe Festival....

2019 Capital Fringe Review: ‘Conversations’

One of the more common phenomena of fringe festivals like ours is to see young actors commit to intensely personal projects, creating a cohesive...

2019 Capital Fringe Review: ‘Veneer of Beauty’

Last year, Shaun Michael Johnson put himself on the map as a master storyteller, whose protean moves captivated audiences at the Capital Fringe Festival...

2019 Capital Fringe Review: ‘Hold the Tomato’

Back at the Fringe Festival after their successful 2018 appearance, Laugh Index Theatre’s production of Hold the Tomato strikes a number of funny bones...

2019 Capital Fringe Review: ‘Passing’

Passover, the holiday that marks the Exodus, that signals to Jews and the world that this night is different from all others because we...

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