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Capital Fringe 2014 Review: ‘Homeboy Thanksgiving’

(Best of the Capital Fringe) Homeboy Thanksgiving, written by Jose Zarate and directed by Rhiannon Cooper is a story of the healing nature of family...

Capital Fringe 2014 Review: ‘#albatross’

(Best of the Capital Fringe) MOVEIUS Contemporary Ballet, a DC-based company founded in 2010, presents #albatross in this summer’s Capital Fringe Festival, with a program...

Capital Fringe 2014 Review: ‘Persephone’

(Best of the Capital Fringe) Usually when someone tells you a Fringe show is different every night, it means “improv showcase” or “audience participation.” Sometimes...

Capital Fringe 2014 Review: ‘Blue Moon/Red River’

(Best of the Capital Fringe) Jane Franklin Dance is a Virginia based company known for its innovative works and collaborations; Blue Moon/Red River is a prime example...

Capital Fringe 2014 Review: ‘This Gonna Be on the Test, Miss?’

(Best of the Capital Fringe) This Gonna Be on the Test, Miss? is written and performed powerfully and hilariously by Ronna J Levy and directed by Kel...

Capital Fringe 2014 Review: ‘The Tournament’

(Best of the Capital Fringe) What do you gather a team of actors who also happen to be some of the best fight choreographers in...

Capital Fringe 2014 Review: ‘The Road to High Street’

(Best of the Capital Fringe) Juggling fire, riding a unicycle, living in a beer tank and eating raw eggs—these are just a few of the...

Capital Fringe 2014 Review: ‘Dream Within a Dream’

(Best of the Capital Fringe) While I was in London a couple months ago, I attended a Punchdrunk Theatre Company production, and the play was...

Capital Fringe 2014 Review: ‘Song of Myself: The Whitman Project’

(Best of the Capital Fringe) Robert Michael Oliver is a tour-de-force in his one-man show It’s got to be tough to do a solo show, opening...

Capital Fringe 2014 Review: ‘Olizzia’

(Best of the Capital Fringe) First-time playwright John Bavoso’s inventive and appealing script for Olizzia would make a terrific indie rom-com caper that would be a hit...

Capital Fringe 2014 Review: ‘Rock Bottom [A Rock Opus]’

(Best of the Capital Fringe) If one way to tell whether a rock musical is really good is that it makes you want to come...

Capital Fringe 2014 Review: ‘The Hello Girls: Unknown Heroines of WWI’

(Best of the Capital Fringe) Ellouise Schoettler enlightens us in her one-woman show. US history provided little to inform us about the role of women in...

Capital Fringe 2014 Review: ‘Coosje’

(Best of the Capital Fringe) Every now and then CapFringe makes a divine pairing of venue and production. Such is the case with No....

Capital Fringe 2014 Review: ‘TAME.’

(Best of the Capital Fringe) When the DC Women's Voices Theatre Festival rolls around in October, 2015, I sincerely hope Playwright Jonelle Walker will be...

Capital Fringe 2014 Review: ‘Dream Love’

(Best of the Capital Fringe) Ryan Tumulty’s devised movement piece Dream Love is a surreal combination of dance and theater, switching back and forth from...

Capital Fringe 2014 Review: ‘Interrogation’

(Best of the Fringe!) In his play Interrogation, John Feffer, a foreign policy analyst who writes widely on privacy issues, pokes gentle fun at U.S....

Capital Fringe 2014 Review: ‘Four Dogs and a Bone’

(Best of the Fringe!) Welcome to the savage world of moviemaking where success-hungry humans, snarl and growl at each other like dogs fighting for a...

Capital Fringe 2014 Review: ‘The Man in the Desert’

(Best of the Fringe!) Stephen Mead is no stranger to Fringe—or to one-man shows: his “Dark. Powerful. Mysterious. Magnetic. Suspenseful” performance in Murder on the...

Capital Fringe 2014 Review: “C-“

(Best of the Fringe!) C-, a SPNP Tech production is a one-man play featuring writer and director Eric Jaffe. The performance, based on Jaffe’s interviews...

Capital Fringe 2014 Review: ‘The Program Assistant’

(Best of the Fringe!) Fringe favorite John Krizel is at it again with his new show The Program Assistant, which he wrote, directed, and produced. It...

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