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Fearless feminist dance takes the stage in Martha Graham Dance Company’s...

On the eve of the day we learned that we still can’t elect a woman as qualified as Elizabeth Warren president, the Martha Graham...

‘Boys Don’t Cry’ at Dance Place rejoices in macho detox

Boys Don't Cry made this boy cry. It happened near the end. I had been watching a performance by the French dance company Cie Hervé...

Ballet Theatre of Maryland’s gorgeous ‘Swan Lake’ pays tribute to artistic...

Ballet Theatre of Maryland’s production of Swan Lake is a gorgeous combination of dancing, costumes, and lighting. With choreography by Artistic Director Dianna Cuatto,...

Alvin Ailey American Dance Theater kicks off a week long run...

Looking for a respite from the political chaos that surrounds us? Care to leave your troubles behind? How about an escape to the world...

Visionary Bill T. Jones creates a community in ‘What Problem?’ at...

Known internationally as a visionary man of the theater, Bill T. Jones has built a reputation over the past 38 years for his ability...

Step Afrika!’s ‘Magical Musical Holiday Step Show’ is a winter wonderland...

Now in its eighth year, Step Afrika!'s Magical Musical Holiday Step Show has established itself as the season's most joyful and lovable family festivity...

Review: The Mariinsky Ballet’s ‘Paquita’ at the Kennedy Center

Ballet, like opera, has a love-hate relationship with its 19th-century repertoire. Contrived plots, truly embarrassing cultural stereotypes, crowd-pleasing but horribly dated choreography that simply...

Review: ‘Merce Cunningham at 100, Beach Birds and BIPED’ at the...

What a pleasure to celebrate the centenary of modern dance master Merce Cunningham with a pair of works that demonstrates his formidable vision for...

Review: ‘NOC-tURNE’ by NFT Dance & Company at Atlas Performing Arts...

The airy-fairy world of contemporary ballet takes a turn toward the macabre in Nancy Flores-Tirado’s darkly romantic NOC-tURNE, performed by NFT Dance & Company...

Review: ‘Rooming House’ by Lucky Plush Productions at the Kennedy Center

Lucky Plush Productions is a dance/theater company currently performing at the Kennedy Center's Terrace Theater. But this is no conventional company. Compared to dance...

Review: ‘Analogy Trilogy’ by Bill T. Jones/Arnie Zane Company at the...

It’s too simplistic to call Bill T. Jones a choreographer, although that’s been his stock and trade for more than 40 years. This past...

Review: ‘Hair & Other Stories’ by Urban Bush Women at Dance...

Don’t think you’re going to sit back and observe if you show up at Urban Bush Women’s latest, Hair & Other Stories, which made...

Review: ‘A Rap on Race’ at George Mason University

The intersection of dance and drama is intentionally harsh in A Rap on Race, the fused performance created by luminaries Anna Deveare Smith and...

Review: ‘Reditum’ at GALA Hispanic Theatre Flamenco Festival

No more than ten minutes into Reditum – a Flamenco dance performance by José Barrios and Company, at the GALA Hispanic Theatre on Friday...

Review: ‘The Male Gaze’ at Charm City Fringe Festival

The title of BlueShift Dance’s show, “The Male Gaze,” refers to the objectification of women by cis-hetero men. The idea of the “male gaze”...

Review: ‘Cirque De Nuit’ by PrioreDance at Atlas Performing Arts Center

Figures emerge into the light. They are remarkably similar and without guise, and as the bodies accumulate in number; it is as if one...

Review: ‘Portraits’ by Dana Tai Soon Burgess Dance Company at the...

The portraits hang solemnly, unmoving at the Smithsonian’s Portrait Gallery. Choreographer Dana Tai Soon Burgess breathes life and movement into these two-dimensional works of...

Review: ‘Leather, Sand, Metal: An Audible Exploration of Tap Dance’ by...

Tap is its own beast. Any dancer can tell you that they can transfer training in ballet to jazz or contemporary, or swing into...

Review: ‘The Migration: Reflections on Jacob Lawrence’ at Step Afrika!

Step Afrika!, the acclaimed African American dance company, launched this powerful multisensory dance-theater work eight years ago. Since then the spectacular show has toured...

Review: ‘Don Quixote’ by Ballet Nacional de Cuba at the Kennedy...

With apologies to T.S. Elliot, Ballet Nacional de Cuba ends the Kennedy Center Ballet 2017-2018 season not with a whimper but a bang. A...

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