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Interview: Dominic North Discusses ‘The Red Shoes’ and Life As a...

Based on the film by Michael Powell and Emeric Pressburger and the Hans Christian Andersen fairy tale, The Red Shoes comes to The Kennedy Center...

Review: Kennedy Center Local Dance Commissioning Project Performance of ‘EroSpace’ and...

It’s often difficult to shake off the pre-conceived notions and expectations of what a particular dance concert is going to be like. I am...

2017 Philadelphia Fringe Festival Review: ‘Kink Haüs’ by Gunnar Montana at...

Sex, drugs, and rock-and-roll have long been the rallying cry of post-modern youth, and Gunnar Montana takes that hedonistic call to its most emphatic,...

2017 Philadelphia Fringe Festival Review: ‘(insert thoughts here)’ by Bradley’s Bucks...

In a delectable mash-up of the 2017 Fringe with an extended Restaurant Week, Franky Bradley’s gives festival-goers the option of enjoying dinner while attending...

2017 Philadelphia Fringe Festival Review: ‘Mistress of the Maze’ by WeftWorks...

Hypnotic, transportive, and exquisitely beautiful, Mistress of the Maze marks the unforgettable debut of WeftWorks with its stunning world-premiere performance in the 2017 Fringe....

2017 Philadelphia Fringe Festival Review: ‘. . . strand . ....

A transportive adventure awaits Fringe-goers in JUNK’s . . . strand . . ., as Brian Sanders and his stunning troupe contemplate the enigma...

Singing From a Trapeze: Interview with Tangle Movement Arts’ founder, Lauren...

Lauren Rile Smith, a Philadelphia poet and performer, founded Tangle Movement Arts in 2011. She has trained trapeze and other circus arts at the Philadelphia...

Review: ‘New York – The Melting Pot’ at Soulpepper on 42nd...

The first in Soulpepper Theatre Company’s three-part musical celebration of the history of diversity in New York - The Melting Pot pays tribute...

From Bethlehem to Philadelphia: An Interview with Rami Khader, Director of...

Director Rami Khader, along with a group of talented and committed artists, both male and female and of differing ages and backgrounds, founded Diyar...

2017 Capital Fringe Review: ‘Shinka’

The post World War II Japanese dance theatre form, Butoh, is traditionally performed in white body make-up. Slow controlled movement, body tension and muscular...

2017 Capital Fringe Review: ‘Aflight’

There is no doubt in my mind that Jane Franklin Dance’s Aflight brings something special to Fringe. Usually based in Arlington, this group blends...

Review: ‘Ballet, Brass & Song: Chamber Dance Project’ at Sidney Harman...

Baseball players take the winter off. Football players do the same in the summer. Ballet dancers are of a different breed. When their companies...

Review: ‘Rebollar and Friends: 40 and Up!’

We’ve all heard the cliches about aging: Life begins at 40. You are not getting older, you are getting better. Age is just a...

Review: ‘Still Life with Rocket’ at Theater Alliance

A few facts are laid at your feet as you move through a couple of simple rooms. Black and white video on old portable...

Review: ‘Swing!’ at the Gateway Performing Arts Centre of Suffolk County

Currently playing at the Gateway Performing Arts Centre of Suffolk County is Swing! a song and dance showcase celebrating the classic sounds and dance...

Review: New York City Ballet: 2 Programs of Works by Balanchine,...

Urgency propels them forward. In a blink there are flashes of precise articulation and rapid fluidity as sweeping curves carry a leg overhead or...

Review: ‘New York City Ballet: Works by Balanchine, Peck, and Ratmansky’...

Last evening’s ballet concert at The Kennedy Center was one of those magical evenings of dance. Sipping champagne and not talking politics, balletomanes gathered...

Review: ‘(In)Security: Or, Jack and Nikki Do the Cold War Tango’...

Memorial Day this year coincided to the day with the 100th anniversary of the birth of President John F. Kennedy. To commemorate the occasion,...

TODAY Only: ‘Tribute to Classical Ballet’ at L’Etoile, The Classical Ballet...

Dance Preview: L’Etoile Dances a Ballet Gem Pretty, pastel costumes, new ribbons on the toe shoes, tiaras that sparkle bright as a shiny new penny...

Review: ‘My Funny Bone’ at Brian Sanders’ JUNK

In My Funny Bone, the latest offering from Brian Sanders’ JUNK, the boundary-breaking choreographer/dancer traces the evolution of his, let’s say, “eccentric” sense of...

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