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Review: ‘A Wonder in my Soul’ at Baltimore Center Stage

“We fight like cats, but we love like dogs.” Marcus Gardley, the author of A Wonder in my Soul has just the right way of...

Review: ‘Fiddler on the Roof’ at The Hippodrome Theatre

The spirits of displacement and change hang heavily over Fiddler on the Roof these days. What keeps it all from becoming, well, dispiriting is...

Review: ‘NURSE!’ at The Charm City Fringe Festival

Lisa Hayes brings one of her acclaimed one-woman shows to Baltimore with NURSE!, a compelling story of a labor strike from a variety of...

Seventh Annual Charm City Fringe Festival – How to Fringe 2018

What is Fringe? Today begins the Seventh Annual Charm City Fringe Festival, a celebration of new and emerging independent theatre that will continue through November...

Seventh Annual Charm City Fringe Festival: What to See and Where...

The Seventh Annual Charm City Fringe Festival is taking place in the Bromo Arts District from November 1 through November 11, 2018. Here's a...

Desdemona Chiang Directs ‘King of the Yees’ at Baltimore Center Stage

If you haven’t already heard, Baltimore Center Stage is producing Playwright Lauren Yee’s King of the Yees. And in case you weren’t aware, this...

Review: ‘Dirty Pictures’ at Rapid Lemon Productions

Closing its 2018 season with a World Premiere by a Local Author, Rapid Lemon debuts Dirty Pictures at Theatre Project. Pucker up: it’s about...

Review: ‘Spring Awakening’ by StillPointe Theatre

Ryan Haase, the wunderkind behind StillPointe Theatre Initiative, ends the pre-show announcement for his current production of the musical Spring Awakening by urging us...

Review: ‘Cat on a Hot Tin Roof’ at Baltimore Center Stage

Big Daddy in Tennessee Williams’ Cat on a Hot Tin Roof may boast of owning “twenty-eight thousand acres of the richest land this side...

Review: ‘Putin On Ice (that isn’t the real title of this...

By Brandon Block We’re in a long, dark, monastic chamber. A white marble bust of Putin sits against dark red drop-banners that are just barely...

Review: ‘Luther’ at Arena Players

By Cybele Pomeroy “My name is Luther and I’m going to sing every song I know. Come on, y’all, let’s have a party.” -- Tamba...

Review: ‘Late Night Double Feature Improv Show’ by Fells Point Corner...

By Bill Kamberger Improv is life; after all, we do it every day. And since many would claim that theater is life, performing improv in...

Review: ‘Judy and the General’ at Spotlighters Theatre

It’s a rare and special treat to see the world debut of a new musical, and I was lucky enough to have the privilege...

Review: ‘Shrek the Musical’ at Charm City Players

Shrek is one of the most enigmatic modern musicals. A work of two of American theatre’s greatest living authors, David Lindsay-Abaire and Jeanine Tesori,...

Review: ‘School of Rock’ at the Hippodrome Theatre

Dewey Finn, the schleppy hero of School of Rock, is a modern-day Maria Von Trapp, leading children to find happiness through music. While posing...

Review: Happenstance Theater’s ‘Slapstick Jukebox’ Is a Wacky Good Time

Catch Happenstance Theater's Slapstick Jukebox before it scoots away. Only five shows were planned for this weekend, so only the fast and the few...

In the Moment: Interview with Patrick Lord, Projection Designer

For regular theater-goers, we have seen that projection design is not a fad or an eye-popping, one-time visual effect. Projection design has become an...

Review: ‘Skeleton Crew’ at Baltimore Center Stage (Women’s Voices Theater Festival)

As part of the Women’s Voices Theater Festival, to highlight the diversity and depth of new plays being written by women, Baltimore Center Stage...

Review: ‘Long Day’s Journey Into Night’ at Everyman Theatre

Long Day’s Journey Into Night chills to the bone. The wind was howling as the cold air clipper passed through downtown Baltimore last Friday evening....

In the Moment Part 2: Interviews with Playwrights Dominique Cieri, Wendy...

This is the second part of a two-part series of interviews with Women’s Voices Theatre Festival playwrights. In this series, I asked the same...

REMEMBERING JOEL MARKOWITZ