DC

Kelsey Hunt Dresses the Stars in Ford’s Frothy Revival of ‘Born...

“Born Yesterday is a winner.” Those are the words of my colleague, David Siegel,  whose review of the gloriously effervescent comedy that just opened at...

Magic Time!: ‘The Emperor of Atlantis’ at The In Series

The Emperor of Atlantis—an operatic takedown of autocracy—is relevant to our times in freaky and haunting ways. And its backstory is chilling. Near the end...

Review: ‘Switch’ at The Welders

The gender-flip trope has been a staple on stage for much of theater history, and just when you thought it had been trotted out...

Review: ‘The Vagrant Trilogy’ at Mosaic Theater Company

The vagrant of the title is a Palestinian scholar named Adham who, while on a trip to London as a grad student, must decide,...

Review: ‘The Migration: Reflections on Jacob Lawrence’ at Step Afrika!

Step Afrika!, the acclaimed African American dance company, launched this powerful multisensory dance-theater work eight years ago. Since then the spectacular show has toured...

Review: ‘An Iliad’ at Atlas Performing Arts Center

The setting (designed by Daniel Prosky) is not a battlefield in Anatolia in modern day Turkey, but what appears to be the office of...
Lea Michele and Darren Criss. Photo courtesy of the Kennedy Center.

Review: ‘Lea Michele & Darren Criss – the LM/DC Tour’ at...

Cue the dramatic backdrops because the lights of Broadway were sparkling this past Sunday at the Kennedy Center in DC. Crackling with infectious energy,...

Review: ‘Botticelli in the Fire’ at Woolly Mammoth

Renaissance painter Sandro Botticelli’s “The Birth of Venus” is a painting famous for its youthful beauty and artistic mastery. When I stood in front...

Review: ‘Flip Flop: A Miscast Cabaret’ at Monumental Theatre Company

For the fourth year in a row, Monumental Theatre Company has hosted their annual event, featuring top millennial talent from the DC area. Flip...

Review: ‘Don Quixote’ by Ballet Nacional de Cuba at the Kennedy...

With apologies to T.S. Elliot, Ballet Nacional de Cuba ends the Kennedy Center Ballet 2017-2018 season not with a whimper but a bang. A...

Review: ‘Camelot’ at Shakespeare Theatre Company

Last month marked the 50th anniversary of Martin Luther King, Jr.’s “I’ve been to the mountaintop” speech. As threats to his life mounted, King...

Magic Time!: ‘The Small Room at the Top of the Stairs’...

The mystery at the center of this adroit drama keeps getting mysteriouser and mysteriouser: What's in the small room at the top of the...

Review: ‘New Releases Choreographers Showcase’ at Dance Place

Back in the '60s, Bob Dylan wrote “The Times They Are a-Changing,” an ode to protest, social change and the country’s mood moment. Dance...

Magic Time!: ‘Republic Undone’ at The Metropolitan Club

Going back to Ancient Greece, theater has functioned as a forum for informed public debate—about war, religion, politics, all the issues relevant to the...

National Memorial Day Concert: Live Tonight From the US Capitol Building

I have reviewed the National Memorial Day Concerts several years in a row and they are always top notch events with distinguished talent. This...

Magic Time!: ’10 Million’ and ‘The Bitter Tears of Petra von...

Among the rich offerings in The Kennedy Center's Artes de Cuba festival were two extraordinary works of theater, each performed but twice: The Bitter...

Review: ‘The Small Room at the Top of the Stairs’ at...

Looking for something well-crafted, suspenseful, and with plenty of lingering moments of anxiety? Then head on to Spooky Action Theater’s production of The Small...

Review: ‘The Remains’ at Studio Theatre

They have such a tasteful, immaculate, picture-perfect kitchen, how could their marriage be such a sorry mess? That's a crass way to ask the...

Review: ‘Flood City’ at Theater Alliance

I would not have thought that a play about dreadful disaster could be done as a droll and delightfully dark comedy, but Playwright Gabrielle...

Review: ‘The Cherry Orchard’ by Faction of Fools

Though it has commonly been staged as a tragedy or psychological drama since its Moscow premiere, Anton Chekhov always insisted that The Cherry Orchard...

REMEMBERING JOEL MARKOWITZ