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Archive | NY

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‘Women’s Voices Theater Festival’ and ‘Winterfest’ Present New Works in NYC from January through March

New York City is ringing in the New Year with a full slate of new works presented in January, February, and March, including a one-day event with the Dramatists Guild Foundation in support of the Women’s Voices Theater Festival, and two months of offerings at the New York Theater Festival’s Winterfest. I had the opportunity […]

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‘Einstein!’ Returns to Under St. Marks Theatre

Sew and Sew Productions and the Horse Trade Theater Group present the return of Jack Fry’s highly-acclaimed Einstein! to New York City in January. Playing again at Under St. Marks Theatre, where it enjoyed a popular run in the 2016 FringeNYC, the LA-based Fry garnered honors for it from DCMetroTheaterArts as one of the Best Performances of that year. If […]

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Review: ‘Where Has Tommy Flowers Gone?’ at The WorkShop Theater

One of the early, less-familiar works by Tony Award-winning playwright and librettist Terrence McNally (famed for his highly-acclaimed Love! Valour! Compassion!, Master Class, Kiss of the Spider Woman, and Ragtime), Where Has Tommy Flowers Gone?, presented by David Gow and Starting 5 Productions, has opened for a limited three-week run at The WorkShop Theater. With […]

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Review: ‘Who’s Holiday!’ at Westside Theatre

If your fond childhood memories include Dr. Seuss The Grinch, his dog Max, and a Ville filled with Whos You might like a sequel from 40 years hence Though if you’re a Grinch, too, you might take offense. The new play Who’s Holiday! by Matthew Lombardo Is strictly R-rated, so don’t bring your kiddo Yet […]

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Review: ‘The Portuguese Kid’ at the Manhattan Theatre Club

Jason Alexander was a Broadway baby long before he achieved fame on Seinfeld, but he’s had trouble re-establishing himself even though he’d appeared in Merrily We Roll Along, The Rink, Jerome Robbins’ Broadway, and others. He’d also co-starred with Martin Short in the West Coast production of The Producers. At last, he’s found a role […]

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Review: ‘The Exterminating Angel’ at the Metropolitan Opera

Metropolitan Opera audiences, paying up to $393 for a ticket, can relate to the wealthy party guests in The Exterminating Angel. And so do some prestigious critics, who called this “the one opera to see this season.” Don’t they realize that they are being excoriated in this absurdist production? Don’t they see that the joke […]

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Review: ‘Harry Clarke’ at Vineyard Theatre

At the core of all great theater is the art of great storytelling. Harry Clarke, a solo show with a compelling story told by a riveting actor in a tour-de-force performance, is just that. Now in its world premiere at Vineyard Theatre, produced in association with Audible, the darkly-funny and deeply-provocative psychological thriller combines saucy […]

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Review: ‘From the Diary of Sally Hemings’ at Unison Media

The New York premiere of William Bolcom’s composition, From the Diary of Sally Hemings, could not be more timely. With so much news focused on racial tensions, as well as the recent uproar over sexual aggression by powerful men, this piece explores the relationship between Thomas Jefferson and his slave with whom he fathered six […]

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Review: ‘Red Roses, Green Gold’ at Minetta Lane Theatre

Calling all Dead Heads! The classic songs of your favorite band have been reincarnated for the stage at Minetta Lane Theatre, in a new jukebox musical Red Roses, Green Gold, directed by Rachel Klein and presented by MWM Live. Inspired by the music and lyrics of Jerry Garcia and Robert Hunter (with additional material by […]

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Review: ‘The Home Place’ at Irish Repertory Theatre

Brian Friel’s play, The Home Place, has taken its time to find its way to New York, where it arrived in good hands at the newly renovated Irish Repertory Theatre off Broadway. The play premiered in 2005 at the Gate Theatre in Dublin before transferring to the West End n London and is only now having its […]

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An Interview with Erik Ransom on the Development of His New Play ‘Civil Blood (The Resurrection of Romeo)’

Just back from a production of his musical GRINDR: The Opera in Florida, Erik Ransom organized a private developmental reading of his latest work Civil Blood (The Resurrection of Romeo) for an invitation-only audience. The new play, set in 1585 and 1982, is an inventive vampire sequel to Romeo and Juliet that combines the time-traveling […]

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Fringe Encore Series 2017 Review: ‘Kafka and Son’ at SoHo Playhouse

In November 1919, the 36-year-old Modernist writer Franz Kafka wrote a searing 45-page letter to his domineering father Hermann, dissecting his tyrannical attitude and lifelong emotional abuse. That scathing indictment, which was never delivered to its intended recipient, provided the inspiration for Alon Nashman’s piercing solo show Kafka and Son. The intense one-hour adaptation, co-devised […]

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