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Archive | Off-Broadway

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Review: ‘Where Has Tommy Flowers Gone?’ at The WorkShop Theater

One of the early, less-familiar works by Tony Award-winning playwright and librettist Terrence McNally (famed for his highly-acclaimed Love! Valour! Compassion!, Master Class, Kiss of the Spider Woman, and Ragtime), Where Has Tommy Flowers Gone?, presented by David Gow and Starting 5 Productions, has opened for a limited three-week run at The WorkShop Theater. With […]

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Review: ‘Who’s Holiday!’ at Westside Theatre

If your fond childhood memories include Dr. Seuss The Grinch, his dog Max, and a Ville filled with Whos You might like a sequel from 40 years hence Though if you’re a Grinch, too, you might take offense. The new play Who’s Holiday! by Matthew Lombardo Is strictly R-rated, so don’t bring your kiddo Yet […]

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Review: ‘Office Hour’ at The Public

The playwright Julia Cho now has Office Hour on at the Public Theatre, but she has been a steady and welcome contributor to the contemporary scene for some time. Works of hers have been produced at Playwrights Horizons, Roundabout Theatre Company, and the Vineyard, as well as at reputable regional theaters like the South Coast […]

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Review: ‘Harry Clarke’ at Vineyard Theatre

At the core of all great theater is the art of great storytelling. Harry Clarke, a solo show with a compelling story told by a riveting actor in a tour-de-force performance, is just that. Now in its world premiere at Vineyard Theatre, produced in association with Audible, the darkly-funny and deeply-provocative psychological thriller combines saucy […]

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Review: ‘What We’re Up Against’ at WP Theater

Office politics, gender-based inequality in the workplace, and self-damning outbursts of flagrant misogyny fuel the flames of Theresa Rebeck’s razor-sharp feminist comedy What We’re Up Against, making its Off-Broadway premiere at WP Theater by special arrangement with Segal NYC Productions. Written and set in 1992, Rebeck’s acerbic observations of sexist attitudes and on-the-job discrimination remain […]

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Review: ‘Lonely Planet’ at Keen Company

The setting of Lonely Planet is a “map store on the oldest street in an American city.” I assume the playwright, Stephen Dietz, wrote that into the program to let us know that what we are about to witness could have happened almost anywhere in America. There are several maps mounted on the walls of the […]

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Review: ‘Red Roses, Green Gold’ at Minetta Lane Theatre

Calling all Dead Heads! The classic songs of your favorite band have been reincarnated for the stage at Minetta Lane Theatre, in a new jukebox musical Red Roses, Green Gold, directed by Rachel Klein and presented by MWM Live. Inspired by the music and lyrics of Jerry Garcia and Robert Hunter (with additional material by […]

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Review: ‘The Home Place’ at Irish Repertory Theatre

Brian Friel’s play, The Home Place, has taken its time to find its way to New York, where it arrived in good hands at the newly renovated Irish Repertory Theatre off Broadway. The play premiered in 2005 at the Gate Theatre in Dublin before transferring to the West End n London and is only now having its […]

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An Interview with Erik Ransom on the Development of His New Play ‘Civil Blood (The Resurrection of Romeo)’

Just back from a production of his musical GRINDR: The Opera in Florida, Erik Ransom organized a private developmental reading of his latest work Civil Blood (The Resurrection of Romeo) for an invitation-only audience. The new play, set in 1585 and 1982, is an inventive vampire sequel to Romeo and Juliet that combines the time-traveling […]

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Fringe Encore Series 2017 Review: ‘Kafka and Son’ at SoHo Playhouse

In November 1919, the 36-year-old Modernist writer Franz Kafka wrote a searing 45-page letter to his domineering father Hermann, dissecting his tyrannical attitude and lifelong emotional abuse. That scathing indictment, which was never delivered to its intended recipient, provided the inspiration for Alon Nashman’s piercing solo show Kafka and Son. The intense one-hour adaptation, co-devised […]

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In the Moment: ‘The Mistress Cycle’ at Creative Cauldron

Illuminating what has been in the shadows, or usually whispered about, Creative Cauldron has provided a delicately rendered musical about the harsh realities women have faced over the centuries when viewed as the “other” woman. Having its DC area premiere, the musical is The Mistress Cycle. From ancient Biblical times to the very present the […]

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Review: ‘A Clockwork Orange’ at New World Stages

Ranked among the greatest novels of the 20th century, A Clockwork Orange – British author Anthony Burgess’s alarming vision of a dystopian future fueled by ultra-violence, hyper-sexuality, and readily-available drugs – has inspired a range of controversial cutting-edge adaptations since its publication in 1962, from Andy Warhol’s experimental underground film Vinyl (1965) to Stanley Kubrick’s […]

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A Recap of The 2017 New York Innovative Theatre Awards at the Gerald W. Lynch Theatre

It was a night filled with excitement, laughs, and unbridled passion for indie theater as the New York Innovative Theatre Foundation celebrated the outstanding achievements of Off-Off-Broadway for its thirteenth year, in a ceremony held on Monday at the Gerald W. Lynch Theatre, John Jay College of Criminal Justice. Four-time host Jason Kravits – known […]

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Review: ‘Bernstein on Broadway’ at The Kennedy Center

It was a glorious evening for Leonard Bernstein and musical theater fans at The Kennedy Center. It was the exceptional, one-night-only opening to the worldwide celebration of Leonard Bernstein’s upcoming 100th birthday. It was Bernstein on Broadway. The evening’s celebration focused on Bernstein’s works for Broadway. The selected musical pieces ran the gamut from the […]

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