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Gwydion Suilebhan: “Now is the time for artists to ask...

By Gwydion Suilebhan In 1960, a Turkish immigrant named Erol Onaran arrived in the United States with a whopping $32 in his pocket and a...

What’s the future of live theater beyond COVID-19?: A point-counterpoint between...

What follows is an extraordinary conversation. It started as a Facebook post by award-winning playwright Audrey Cefaly. It was joined by her dear friend,...

Molly Smith: “Our job as artists is to remind our fellow...

“In the dark times Will there also be singing? Yes, there will also be singing. About the dark times.” —Bertolt Brecht (motto to Svendborg Poems) When I saw the...

An open letter to the DMV theater community

As passionate theater lovers and as members of the DC Metro Theater Arts leadership team, we applaud the DMV theaters that have announced closure...

‘White Pearl’ and the Toxicity of Whiteness

“I love white,” began the commercial. “White is clean. White is pure. White is beautiful.” I stared at my laptop disgusted by the blatant discrimination...

‘Hamilton’ is Encouragement for True Inclusion in Theater

Hamilton: An American Musical is whatever kind of success you want to call it for its time. Artists, audiences, and critics observed it as...

How I Became A Jewish Mother of Fascism (Show Preview)

by Emily Canavan Opinion Since the 2016 election, I am sure you have noticed the term Fascist is being dusted off and nervously applied to our...