Archive | Staged Reading

Stevie Zimmerman. Photo courtesy of Fairfax Symphony.

In the Moment: Interview with Director Stevie Zimmerman on Special ‘Romeo and Juliet’ Performance

Inspiring generations of theater-goers and music lovers alike is one of the aims of Director Stevie Zimmerman by connecting the talents of the professional Fairfax Symphony Orchestra (FSO) with the music of Sergei Prokofiev’s Romeo and Juliet with The Bard’s Romeo and Juliet text. In an interview, Zimmerman explained the idea behind the Romeo and […]

Continue Reading
Erik Ransom feature image

‘No Ransom To Be Paid’ at Pangea: An Update on ‘GRINDR: The Opera’ and More with Erik Ransom

Featured this summer in producer Ed Miller’s No Ransom To Be Paid four-part series at Pangea, the presented works of writer/composer/musician/actor Erik Ransom include songs from More Than All the World – his epic musical reinvention of Christopher Marlowe’s bio-play on the life of England’s King Edward II – and an hour-long concert version of […]

Continue Reading
TYK_SocialMedia_376x251 (2)

Maryland Opera Studio to Premiere University of MD’s Opera Composition Contest Winner ‘The Young King’ on Friday, 2/10@7:30 PM at The Clarice

The first-year members of the Maryland Opera Studio present a semi-staged New Work Reading every year, but this year’s reading is unique. On February 10, the Maryland Opera Studio premieres the winning composition of the inaugural University of Maryland (UMD) Opera Composition Contest: Martin Hennessy and librettist Tom Rowan’s adaptation of Oscar Wilde’s short story The Young […]

Continue Reading

Review: ‘Bud, Not Buddy’ at The Kennedy Center

Last night, The Kennedy Center presented an inspiring world premiere commission of Bud, Not Buddy. Kirsten Greenidge created the fast-paced and touchingly funny script, based on the book from award-winning children’s literature author, Christopher Paul Curtis. It’s the story of an orphan boy’s journey to find his father, in Michigan during the Great Depression. Interwoven with […]

Continue Reading

Vote for Your Favorite Center Stage Write Now, Play Later Play TODAY!

In October, after several seasons of success with their Wright-Right-Now (“WRN”) program – the micro-commissioning series in which playwrights produce patron-prompted short plays on demand, Center Stage introduced the Wright Now, Play Later (“WNPL”) project. With WNPL, patron-prompted short plays are not only commissioned, they are performed! So far the program has had exciting, public-commissioned […]

Continue Reading

Magic Time! ‘Straight White Men’ at The Studio Theatre

Playwright Young Jean Lee’s audacious title refers to the particular—the white widowed father (Ed) and his three grown sons (Drew, Jake, and Matt) who are on stage for most of this naturalistic comedy—as well as the generality of straight white men (as in Jake’s mention of “people like us…privileged white dickheads”).  So one might reasonably […]

Continue Reading

In the Moment: A Report on The Edge of the Universe Players 2’s Workshop Production of Young Jean Lee’s ‘Pullman, WA’

The Edge of the Universe Players 2‘s workshop production of Young Jean Lee’s Pullman, WA was an evening that defies easy categorization. It was charming one moment, annoying the next. It was a traditional passive audience theater experience much of the time, then “POW!” an audience member was selected, seemingly quite out of random, to be […]

Continue Reading
Playwright Larissa Fasthorse. Photo by Conor Hogan.

An Interview with Playwright Larissa FastHorse

Larissa FastHorse is one of the playwrights participating in Center Stage’s Wright Now Play Later project, which kicks off today. I had a chance to chat with FastHorse last month, when she was in town participating in another one of Center Stage’s projects in support of new works and new writing, the Play Lab. The […]

Continue Reading

See Your Stories Made into Theater: Center Stage’s “Wright Now Play Later” Project Starts TODAY

See Your Stories Made Into Theater: Center Stage’s Wright Now Play Later Starts TODAY Today, Monday, October 10, 2016, Center Stage is taking the next step in their ongoing commitment to supporting emerging writers and making theater accessible to the people. They’ve had several seasons of success with their Wright-Right-Now (“WRN”) program – the “micro-commissioning […]

Continue Reading
download (13)

Magic Time! A Report on ’24/7′ at African-American Collective Theater

For the 24th year, the African-American Collective Theater marked DC Black Pride Weekend with readings of seven short plays, collectively titled 24/7, all written and directed by Alan Sharpe, whose storytelling mastery and insights into the lives of same-gender-loving black men prompted the audience at Anacostia Arts Center to laughter, cheers, and a few tears. The […]

Continue Reading
images (4)

‘Shylock Agonistes’: Howard Jacobson and Aaron Posner at Folger Theatre

On the stage of the Folger Theatre, with the vestiges of the set of Aaron Posner’s just-closed Midsummer Night’s Dream in the background, well-known director and playwright Aaron Posner and Man Booker prize-winning author Howard Jacobson summoned a ghost on Monday night. That ghost was the spirit of the controversial and ever-fascinating Shylock of Shakespeare’s The […]

Continue Reading

Playwright Jennifer Barclay on the March 21st Reading of “Danny” at Centerstage’s Playwrights Collective Showcase

The Playwrights Collective at Centerstage, in Baltimore, gives playwrights an opportunity to workshop and share professional mentorship under the guidance of a resident regional theater. Jennifer Barclay, Assistant Professor of playwriting and performance at the University of Maryland School of Theatre, Dance, and Performance Studies, will premiere her new play Danny at a Playwrights Collective […]

Continue Reading

Report on: ‘Suddenly Last Summmer’ and ‘Justice Disordered’ Readings at Rainbow Theatre Project

One of Tennessee Williams’ bleaker, darker plays,– the one-act dramatic cry of despair, Suddenly Last Summer (which was expanded beyond its more compressed scope in the famous Elizabeth Taylor film of the same name), played to a full-house as the latest offering from the highly experimental and exciting LGBTQ-focused Rainbow Theatre Project.  As produced on […]

Continue Reading