Tag Archives | 43 and a 1/2: The Greatest Deaths of Shakespeare’s Tragedies


Spine: ‘Rosencrantz and Guildenstern are Dead’ at Folger Theatre (Article)

I first read Tom Stoppard’s Rosencrantz and Guildenstern are Dead back in 1974. It was but one of many plays I devoured as part of my thirst for the absurdist perspective. It’s now playing at Folger Theatre. Even then, its cleverness intrigued me more than its authenticity. Becket’s Waiting for Godot, Pinter’s The Homecoming, Genet’s The Balcony, […]

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