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Review: ‘A Clockwork Orange’ at New World Stages

Ranked among the greatest novels of the 20th century, A Clockwork Orange – British author Anthony Burgess’s alarming vision of a dystopian future fueled...

Review: ‘Oedipus ROX!’ at Maryland Ensemble Theatre

Take one-part glam rock, one-part Mad Max: Beyond Thunder Dome, and one-part A Clockwork Orange, and you have Oedipus ROX! at the Maryland Ensemble...

Review: ‘Black Violin’ at The Barns at Wolf Trap

Black Violin performed a genre-shattering fusion of classical and hip hop in an unforgettable concert last night at The Barns at Wolf Trap.  Black...

‘Titus Andronicus’ at Chesapeake Shakespeare Company

“We are all undone!” a character hysterically cries halfway through Chesapeake Shakespeare Company’s production of Titus Andronicus. Well, thanks for stating the obvious. You would...

‘Jacques Brel is Alive and Well and Living in Paris’ at...

Jacques Brel is Alive and Well and Living in Paris. And, for the month of May, he's alive and well at the Audrey Herman...

Capital Fringe Review: ‘Kubrilesque’ by Yvonne French

Highly suggested: watch a Stanley Kubrick film marathon and then go to Kubrilesque, a mash-up his movies, which include The Shining, A Clockwork Orange, and Eyes...

‘A Clockwork Orange’ at Scena Theatre by Sydney-Chanele Dawkins

Good. Is being good truly good if it is not by choice? Evil has to exist along with good, in order that moral choice may operate. Evil. Which...

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