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Review: ‘Suddenly Last Summer’ at Old Academy Players

What did happen to Sebastian last summer? This sounds like a murder mystery, right? But if Tennessee Williams writes the mystery, one can be certain...

Review: ‘The Present’ at the Ethel Barrymore Theatre

In the beginning there was a play by Anton Chekov that was simply called "a long play without a title". He'd written a first...

DCMetroTheaterArts’ Best of 2016 #12: Best Direction of Plays in Professional...

Here are the DCMetroTheaterArts Staff's honorees for Best Direction of Plays in Professional Theaters in 2016. Congrats to all our honorees! THE BEST DIRECTION OF...

DCMetroTheaterArts’ Best of 2016 #10: Best Direction in Musicals in Professional...

Here are the DCMetroTheaterArts Staff's honorees for Best Direction of Musicals in Professional Theaters in 2016. Congrats to all our honorees: David James for A Christmas...

DCMetroTheaterArts’ Best of 2016 #4: Best Plays in Professional Theaters in...

Here are the DCMetroTheaterArts Staff's honorees for Best Plays in Professional Theaters in 2016. Congrats to all our honorees! A Christmas Carol: A Ghost Story...

Ayana Reed on Playing Carrie in ‘Blackberry Daze’ at MetroStage

Ayana Reed is a native Washingtonian who is appearing in Blackberry Daze at MetroStage. Here’s her journey… Please introduce yourself and tell our readers about...

Meet The Cast of Castaway’s Repertory Theatre’s ‘Cat On A Hot...

In Part 3 of our series of interviews with the cast of Castaways Repertory Theatre’s production of Cat On A Hot Tin Roof, meet...

Review: ‘Angels in America: Millennium Approaches’ at Round House Theatre and...

Social, political, and historical forces collide and converge to mirror the conflicted inner worlds of the fascinating characters in Playwright Tony Kushner’s audacious, insightfully...

Meet The Cast of The Castaways Repertory Theatre’s ‘Cat On A...

In Part Two of a series of interviews with the cast of Castaways Repertory Theatre’s production of Cat On A Hot Tin Roof, meet...

2016 Philadelphia Fringe Festival Review: ‘A Streetcar Named Desire’ Deep Blue...

A lost Blanche DuBois greets you at the door, as you make your way upstairs, live piano music plays loudly as the troupe of...

Meet The Cast of The Castaways Repertory Theatre’s ‘Cat On A...

In part 1 in a series of interviews with the cast of Castaways Repertory Theatre’s production of Cat On A Hot Tin Roof, meet...

Beth Hylton, Carl Schurr, and Dawn Ursula on Starring in Everyman’s...

The Great American Rep's At Everyman Theatre has received critical acclaim from local critics. Beth Hylton, Carl Schuur, and Dawn Ursula talk about their...

Review: ‘A Lovely Sunday for Creve Coeur’ at South Camden Theatre...

A Lovely Sunday for Creve Coeur is one of Tennessee Williams’ lesser-known plays. First staged in 1978, a few decades after his biggest successes,...

Review: The Great American Rep: ‘A Streetcar Named Desire’ at Everyman...

As the centerpiece of its 25th Anniversary Season, Baltimore’s Everyman Theatre has taken on the daunting task of mounting what are arguably the two greatest...

Review: The Great American Rep: ‘Death of a Salesman’ at Everyman...

In celebration of the 25th anniversary of its founding, Everyman Theatre is closing out its 2015-2016 season by doing something really special. After an...

Review: ‘The Humans’ at Roundabout Theatre at the Helen Hayes Theatre...

"Suddenly there is God so quickly" is one of those gems in Tennessee Williams' A Streetcar Named Desire, and it flashed into my mind...

Magic Time! ‘The Glass Menagerie’ at Ford’s Theatre

What’s the best way to stage a modern classic that is both reverential and revelatory? How does one mount a production that is respectful...

Review: ‘The Glass Menagerie’ at Ford’s Theatre

Possibly the most lyrical and sentimentally poignant of all the plays written by Tennessee Williams, The Glass Menagerie still holds up as one of...

Science Fiction ‘Double D-TURE’: ‘The Rocky Horror T*tty Show’ This Friday...

Hello my name is Lucrezia and I am a Rocky Horror-aholic. Like I’ve got “Don’t Dream It, Be It” tattooed on my left bicep....

Meet the Cast of The Little Theatre of Alexandria’s ‘Laughing Stock’:...

In Part 6 of a series of interviews with the cast of The Little Theatre of Alexandria’s production of Charles Morey’s Laughing Stock, meet Hilary...

REMEMBERING JOEL MARKOWITZ