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Review: ‘Clover’ at Ally Theatre Company

But suicides have a special language. Like carpenters, they want to know which tools; They never ask why build. -- Anne Sexton, "Wanting to Die" Laura Rocklyn and Ty Hallmark's...

2017 Capital Fringe Review: ‘Exit Carolyn’

I love Fringe. And like many theatergoers, I head off each day with tolerance and hope. The tolerance is for shows that are long...

Review: ‘Marx in Soho’ at Nu Sass Productions

Nu Sass’ latest Small Batch production is Howard Zinn’s one-actor Marx in Soho. It is another highly successfully, nervy production by Nu Sass with...

DCMetroTheaterArts’ Best of 2016 #12: Best Direction of Plays in Professional...

Here are the DCMetroTheaterArts Staff's honorees for Best Direction of Plays in Professional Theaters in 2016. Congrats to all our honorees! THE BEST DIRECTION OF...

Dangereuse: She Will Rock You: ‘TAME.’ at WSC Avant Bard

One of Shakespeare’s greatest gifts is the inspiration he offers to other artists. In the case of Tame., playwright Jonelle Walker has captured the...

Review: ‘All Lady Macbeth’ at Theatre Prometheus

The Northwest and Southwest sides of DC are filled with theatre and art. From the Shakespeare Theatre Company and Woolly Mammoth to Arena Stage...

Review: ‘The Maid’s Tragedy’ at Brave Spirits Theatre

Death abounds in The Maid’s Tragedy. Be prepared for an avenging angel with a message and actions against the vicious power of a King...

Review: ‘Stone Tape Party’ at Nu Sass Productions

It was clear when I walked into the intimate theatre that the party had already started at this 2014 Capital Fringe Festival 'Best Comedy...

‘No Exit’ at Nu Sass

What better theater piece to consider for an immersive, “locked-away” experience than Jean-Paul Sartre’s No Exit. For that alone, Nu Sass deserves and earns...

Nu Sass Brings the Second Installment of the Small Batch Audience...

For those of you who didn't witness it, something beautiful happened in the tiny gallery at Caos on F Street last spring. Nu Sass...

2015 Capital Fringe Review: ‘Cold as Death’

It’s hard to be in a love triangle where the girl is dead. Cold as Death, Guillotine Theatre’s offering for this year’s Fringe, revolves around...

2015 Capital Fringe Preview #9: ‘Cold As Death’

“People ask me ‘where do you find these plays?’ says Catherine Aselford, Artistic Director of Guillotine Theatre, “and I always wonder why they don’t...

‘A Bright Room Called Day’ at Nu Sass Productions

With its Small Batch Audience Series created for an especially limited number of patrons per performance, Nu Sass Productions is out to transform the...

Small Crowds, New Spaces: An Introduction to Nu Sass Productions’ Small...

“The audience is the most revered member of the theater. Without an audience there is no theater.” – Viola Spolin. Next week sees the jump...

DCMetroTheaterArts’ Best of 2015 #18: Best Directors of a Play in...

The staff of DCMetroTheaterArts is honored to announce that their 2015 Best Directors of Plays in Professional Theatres go to: Chris Abraham for Winners and Losers...

REMEMBERING JOEL MARKOWITZ