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DCMetroTheaterArts’ Best of 2015 #21: Best Design of 2015 in DC...

The staff of DCMetroTheaterArts is pleased to honor the following designers for their work in 2015: CHOREOGRAPHY Germaul Barnes for Marley at Centerstage. Michael Bobbitt for Guys and Dolls at Olney...

DCMetroTheaterArts’ Best of 2014: Best Ensembles in DC Area Theatres

The staff of DCMetroTheaterArts is honored to announce that their 2014 Best Ensemble honors go to: A Midsummer Night’s Dream at Castaways Repertory Theatre A Soldier’s Play...

DCMetroTheaterArts’ Best of 2014: Best Design of 2014 in DC Metro...

The staff of DCMetroTheaterArts is pleased to honor the following designers for their work in 2014: CHOREOGRAPHY Michael J. Bobbitt for Carrie the Musical at The Studio...

DCMetroTheaterArts’ Best of 2014: Best Plays in Professional Theatres

The staff of DCMetroTheaterArts is honored to announce that their 2014 Best Plays in Professional Theatres go to: A Christmas Carol: A Ghost Story of...

An Interview with John Collins-The Director of ‘Arguendo’ at Woolly Mammoth...

“How does one draw a line between Salome and the Kitty Kat Lounge?” A quote from Justice Antonin Scalia made famous during the Supreme...

‘Arguendo’ at Woolly Mammoth Theatre Company

Can conduct communicate? In what instances do practices of non-speech— such as music, money, or dancing— become speech in the sense that they are...

Magic Time! ‘Arguendo’ at Woolly Mammoth Theatre Company by John...

Watching Arguendo—an actual Supreme Court transcript staged cheekily for chuckles by Elevator Repair Service, the New York–based troupe specializing in literary vérité—is like watching a...

REMEMBERING JOEL MARKOWITZ