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2017 Philadelphia Fringe Festival Review: ‘The Groom’s a Fag; The Bride’s...

What do you get when you mix over-the-top parody with uncensored vulgarity with pure poetry? The Groom’s a Fag; The Bride’s a Cunt; The...

Deb Miller’s Top Picks for the ‘2017 Philadelphia Fringe Festival’

From antiquity to the present, tragedy and drama to absurdism and comedy, masterpieces by classic playwrights to experimental ensemble-devised works by local artists, the...

Review: ‘Love’s Labor’s Lost’ at Quintessence Theatre Group

Quintessence Theatre Group brings William Shakespeare’s Love’s Labor’s Lost, as directed by Alexander Burns, vibrantly to life with spectacular staging, scintillating costumes and a...

‘Take A Bow!’ Part 3: The Staff of DCMetroTheaterArts’ Favorite DC/MD/VA...

Here is the staff of DCMetroTheaterArts’ 3rd series of ‘Take A Bow!’ Fall 2016 honorees: Caroline Clay as Florynce Kennedy in (Re)Acts: Where Do We...

Review: ‘Wilde Tales’ at Quintessence Theatre Group

Brightened by a beautiful glittering garden backdrop, several of Oscar Wilde's fabled fairy tales, smartly adapted and directed by Jeremy Bloom, convey the childlike...

2016 Philadelphia Fringe Festival Review: ‘Birdie’s Pit Stop (and the tribe...

Camp and kitsch reign supreme in On the Rocks’ Birdie’s Pit Stop (and the tribe of queers who fucked everything up), an outrageously funny...

Review: ‘The Stinky Cheese Man and Other Stupid Fairy Tales’ at...

If you think that happy endings, moral lessons, and the power of goodness magically triumphing over the forces of evil are the stuff fairy...

‘Lights Rise on Grace’ at Azuka Theatre in Philadelphia

Lights Rise on Grace is a play that has a lot to say about race, sexuality and secrecy, but says it sparingly. Chad Beckim’s...

REMEMBERING JOEL MARKOWITZ