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Review: ‘The Ugly One’ at Nu Sass Productions

The gutsy woman-centric theater company Nu Sass is notable for producing works that feature women in major roles, onstage and off, typically in a...

Review: ’43 1/2: The Greatest Deaths of Shakespeare’s Tragedies’ at the...

Five actors, a stage manager, an audience, and a lot of blood. Nu Sass Productions has remounted its 2013 Capital Fringe hit, complete with gags...

Director Sun King Davis on ’43 1/2: The Greatest Deaths of...

Clare Shaffer interviews Sun King Davis on Nu Sass Productions' upcoming production of 43 1/2. Clare: What inspired you to create 43 1/2? Sun King: A lot...

2016 Capital Fringe Review: ’22 Boom!’

Think commissioned plays are a thing of the Elizabethan past? Nu Sass Productions’ 22 Boom! is concierge theater at its nimblest. Written by Miranda Rose...

2016 Capital Fringe Preview #46: ’22 Boom!’: 5 Questions with ’22...

5 Questions with 22 Boom! playwright Miranda Rose Hall by Angela Kay Pirko and Miranda Rose Hall Angela: What was the inspiration for 22 Boom! Miranda: It was...

2016 Capital Fringe Preview #39: ‘The Greatest Science Fiction Show (no...

Take a trip with us through time and space! Grain of Sand Theatre, winner of the Capital Fringe Festival's Best Drama Awards in 2011 and 2013,...

Review: ‘Stone Tape Party’ at Nu Sass Productions

It was clear when I walked into the intimate theatre that the party had already started at this 2014 Capital Fringe Festival 'Best Comedy...

DCMetroTheaterArts’ Best of 2015 #8: Best Performances in a Play in...

The staff of DCMetroTheaterArts is honored to announce that their Best of 2015: Best Performances in Plays in Professional Theatres go to:  BEST ACTOR IN...

‘No Exit’ at Nu Sass

What better theater piece to consider for an immersive, “locked-away” experience than Jean-Paul Sartre’s No Exit. For that alone, Nu Sass deserves and earns...

2015 Capital Fringe Review: ‘The Paper Game’

Let’s play a game. The Game. It has an extensive set of rules. The point system is arbitrary. One of the rules is that...

‘A Bright Room Called Day’ at Nu Sass Productions

With its Small Batch Audience Series created for an especially limited number of patrons per performance, Nu Sass Productions is out to transform the...

Small Crowds, New Spaces: An Introduction to Nu Sass Productions’ Small...

“The audience is the most revered member of the theater. Without an audience there is no theater.” – Viola Spolin. Next week sees the jump...

Capital Fringe 2014 Review: ‘Stone Tape Party’

(Best of the Capital Fringe) Even before the show starts, Stone Tape Party, written by Danny Rovin and directed by Angela Pirko, immerses the audience...

Capital Fringe 2014 Preview: ‘Stone Tape Party: Hauntings and Humor’ By...

“Sex. Drugs. Jazz. You know, the classic ghost story” proclaims the catchy tagline for the new comedy Stone Tape Party. Every ghost story needs...

2013 Capital Fringe Show Preview: ’43 and a ½: The Greatest...

“Exeunt!” It’s a fancy Shakespearean word that means nothing fancier than “everybody leaves.” Yet it brings to mind flourishing capes, actors strutting dramatically into the...

‘The Socky Horror Puppet Show’ at Nu Sass Productions by Justin...

Sing it with me! “It's time to play the music / It's time to light the lights...” Oh, no, wait. That's those other singing...

‘Socky Horror Puppet Show’ Presented by Nu Sass Productions This Friday-Sunday...

The second installment of the Sock Puppet Series is here. After an amazing reception for Into the Woods: In Concert last year, NU SASS has decided...

REMEMBERING JOEL MARKOWITZ