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Review: ‘Fiddler on the Roof’ at The Hippodrome Theatre

The spirits of displacement and change hang heavily over Fiddler on the Roof these days. What keeps it all from becoming, well, dispiriting is...

Review: ‘NURSE!’ at The Charm City Fringe Festival

Lisa Hayes brings one of her acclaimed one-woman shows to Baltimore with NURSE!, a compelling story of a labor strike from a variety of...

Seventh Annual Charm City Fringe Festival – How to Fringe 2018

What is Fringe? Today begins the Seventh Annual Charm City Fringe Festival, a celebration of new and emerging independent theatre that will continue through November...

Review: ‘Cloud 9’ at Iron Crow Theatre

Do you enjoy the works of playwrights like Oscar Wilde and Nöel Coward, but wish their plays had a little more adultery? Then Cloud...

Review: ‘Love is a Blue Tick Hound’ at Rapid Lemon Productions...

No garden gnomes were injured in the writing of this review As part of the 2018 Women’s Voices Theater Festival, Rapid Lemon Productions is presenting...

Review: ‘Mr. Burns, A Post-Electric Play’ at Cohesion Theatre Company

What better venue for a production of Anne Washburn’s Mr. Burns, a Post-Electric Play – an ensemble piece set in a dystopian future where...

Interview: Submersive Productions Co-Artistic Directors GLENN RICCI and URSULA MARCUM on...

In April of this year, I wrote: Submersive Productions has outdone itself with its new production, H.T. Darling’s Incredible Musaeum presents: The Treasures of New...

DC Metro Theater Arts’ Charm City Fringe 2017 Sponsor: Lexington Market

Baltimore's historic Lexington Market is joining DC Metro Theater Arts in support of our coverage of the Charm City Fringe Festival. The Market closes...

Review: ‘Little Shop of Horrors’ at Vagabond Players

The timing of Vagabond Players’ production of Little Shop of Horrors is fortuitous, opening Halloween weekend when thoughts turn to the spooky and macabre,...

Everyman Theatre and the Maryland Film Festival join forces for stage-inspired...

Six-part guest-hosted series merges audiences and art forms Baltimore, MD – Everyman Theatre and the Maryland Film Festival (MdFF) are pleased to announce “Everyman at...

From Bethlehem to Philadelphia: An Interview with Rami Khader, Director of...

Director Rami Khader, along with a group of talented and committed artists, both male and female and of differing ages and backgrounds, founded Diyar...

Baltimore Center Stage Artistic Director Kwame Kwei-Armah Announces Departure at End...

The Board of Directors of Baltimore Center Stage and Kwame Kwei-Armah have jointly announced that Kwei-Armah will leave his position as artistic director at...

Single Carrot Theatre Announces Additional Performances of Sold-Out ‘Promenade: Baltimore’

In response to continued demand for tickets, Single Carrot Theatre will be extending the sold-out Promenade: Baltimore for three performances. The production, which is...

Review: ‘BootyCandy’ at Iron Crow Theatre

You need to take up some sports. This weekend, Iron Crow Theatre (“Iron Crow”) opened the final show of its 2016-17 Season of Dark Play...

Interviews with Cohesion Playwrights Fellows, Part 2 of 2: Utkarsh Rajawat,...

After its award-winning Trans* Voices Workshop Series in Season 2, Cohesion Theatre Company (Cohesion) introduced a Playwrights Fellowship for Season 3. Cohesion’s Playwrights Fellowship...

Review: ‘Promenade: Baltimore’ at Single Carrot Theatre

“We’re all stories, in the end. Just make it a good one.” – The Eleventh Doctor Have you ever been driving in a car or...

Review: ‘Men on Boats’ at Cohesion Theatre Company

MANifest Destiny, or Don’t Go Chasing Waterfalls Cohesion Theatre Company (Cohesion) is closing its third season with playwright Jaclyn Backhaus’s historical adventure-with-a-twist, Men on Boats....

Interviews with Cohesion Playwrights Fellows, Part 1 of 2: Jen Diamond,...

After its award-winning Trans* Voices Workshop Series in Season 2, Cohesion Theatre Company (Cohesion) introduced a Playwrights Fellowship for Season 3. Cohesion’s Playwrights Fellowship...

Review: ‘The King of Howard Street’ at Annex Theater

We are human beings, right? We were at one point in our lives. There was an excited energy in the air on opening night of...

Review: ‘Noises Off’ at Everyman Theatre

It is always a good time seeing a production of Noises Off, but Everyman Theatre (Everyman) took it to another level last night. If...

REMEMBERING JOEL MARKOWITZ