Tag Archives | C. Stanley Photography


Review: ‘Hello, My Name Is…’ at The Welders

Challenging theatrical conventions, Hello, My Name Is… by Deb Sivigny, directed by Randy Baker, and produced by The Welders is like no other theater production I have taken in, in recent memory. The production delicately took my hand, then persuasively guided me undeniably into stories and design elements I had not witnessed before on a DC area […]

Continue Reading
download (3)

Review: ‘The City of Conversation’ at Arena Stage

In the daring new play about Washington politics and the halcyon days of genteel social hostesses, The City of Conversation, (now playing at Arena Stage) the word “conversation “ is most decidedly a polite euphemism for today’s more applicable words such as “gossip,” “back biting,” and “slander.” Time marches on and the viciousness of people […]

Continue Reading
images (37)

‘Tyger’ at banished? Productions at Mead Theatre Lab

Check your pre-conceived notions of a theater experience at the sidewalk at this week’s innovative Tyger at Mead Theatre Lab by banished? Productions. The interactive experience begins before you enter the theater, playfully toying with the divisions between audience and performers. I don’t want to give anything away about the experience, but suffice to say that […]

Continue Reading

UrbanAria’s ‘Blue Viola’ at Artisphere

Feelin’ Blue? Are you a violist who’s feeling unwanted and underappreciated? Then run down to UrbanArias‘ entertaining and high-strung English sung short opera Blue Viola, and you’ll be playing more inspiring music when you leave the intimate Artisphere Black Box. Do you own a Stradivarius violin? Then you too should be russian over there, and I […]

Continue Reading

DCMTA Scene Stealers-January and February 2015-Part 1

Here is Part One of our Scene Stealers of January and February 2015. Congrats to our honorees. Maggie Erwin as Avery in the Seminar Scene in Rapture, Blister, Burn at Round House Theatre  “Maggie Erwin as the millennial Avery pretty much steals every scene she’s in. Her nasal deadpan delivery makes every line she has […]

Continue Reading
images (1)

‘Pen’ at Washington Stage Guild

Washington Stage Guild starts off its 29th season with a smart production of David Marshall Grant’s Pen, a curious play that is by turns provocative and perplexing. The company’s tagline, aptly, is “Smart theatre for a smart town.” Pen‘s dramatis personae are brainy alright. But much as I admired the sharp writing, excellent performances, astute […]

Continue Reading

Source Festival: “The Thrush and the Woodpecker’

As a self-described launching pad for plays, the Source Festival offers writers and artists an opportunity to incubate promising new work, even if scripts exist in but a fledgling state. Such is the case for Steve Yockey’s The Thrush and the Woodpecker, a fascinating new morality play that features elements of greatness despite the opacity […]

Continue Reading

Source Festival: ‘Mortality’-Six 10-Minute Plays

Last night I was back at CulturalDC’s Source Festival for Mortality, a series of six 10-minute plays inspired by the full length play, A Bid to Save the World. Mortality, one of the 3 themes of the festival, gives us a glimpse into how we all deal with life and death in our own ways. […]

Continue Reading
Dissocia2x2 (1)

‘The Wonderful World of Dissocia’ at Theater Alliance

If you like great acting and want to know what it must be like to be mentally ill and to suffer from Dissociative Identity Disorder, go see The Wonderful World of Dissocia, directed by Colin Hovde and Nathaniel Mendez, who facilitate great acting. Written by Scottish playwright Anthony Neilson, The Wonderful World of Dissocia was first produced at Glasgow’s Tron […]

Continue Reading

Woolly Mammoth Theatre Company Announces its 2014-2015 Season

From Woolly Mammoth Theatre Company: Their 2014-2015 Season: Let Them Eat Cake!, a season of revolutionary ideas and radical theatre The apocryphal quip by Marie Antoinette—“Let them eat cake!”—sparks a deliciously decadent Season 35, but also one in which we skewer our leaders and walk the widening divide between the haves and the have-nots. The […]

Continue Reading

Here’s the List of Honorees of DCMetroTheaterArts’ Best Scene Stealers of 2012-2013

Here are the 2012-2013 Scene Stealers honorees selected by the staff of DCMetroTheaterArts. Congrats to all of you on your fine Scene Stealing performances. ____ *Kevin Adams’ transformation in An Irish Carol at The Keegan Theatre. *Ian Armstrong singing his monologues in Twelfth Night or What You Will at Taffety Punk Theatre Company. *Steve Beall singing “Goldenhair” in James Joyce’s […]

Continue Reading
scenestealers (1)

Favorite ‘Scene Stealers’ of the 2012-2013 DC Area Theater Season: Part 1

There were many wonderful Scene Stealers on DC Metro Area stages in our professional, community, children’s, and university theaters during the past theater season. The DCMetroTheaterArts staff will be offering their favorite Scene Stealers of the last DC Metro Area theater season (August 1, 2012 to August 1, 2013) in the next ten days, so here’s our first […]

Continue Reading

Anne Kanengeiser on Playing Janna in ‘The Personal(s)’ at No Rules Theatre Company by Joel Markowitz

There are some performances that you just never forget and Anne Kanengeiser’s performance as Fosca in Signature Theatre’s Passion in 1996 is one I will always remember and cherish, so I was thrilled when Anne was coming to town to appear in No Rules Theatre Company’s The Personal(s), because I had my chance to catch up with Anne […]

Continue Reading
Graham Pilato and Marion . Photo by C. Stanley Photography.

‘Shakespeare in Hollywood’ at Catholic University by Colleen Sproull

It is with great pleasure that I write this review. Catholic University’s production of Ken Ludwig‘s Shakespeare in Hollywood is professional, outrageously funny, and brimming with voracious talent. Wittingly directed by Jay D. Brock, it’s full of hysterical physical comedy, a hefty helping of Shakespeare sonnets, and countless charming innuendos. The pace is perfect, keeping right […]

Continue Reading
Andrew Pardini (Marcello), Michael Dane (Colline), Lauren-Rose King (Musetta), and Matt Moeller (Schaunard). Photo by C. Stanley Photography.

‘La bohème’ at University of Maryland School of Music’s Opera Studio by Jessica Vaughan

Before there was RENT, there was Puccini’s La bohème, perhaps the most popular and certainly one of the most frequently performed operas in history. The University of Maryland School of Music’s Opera Studio mounts a charming and touching production to showcase their MM second-year students. These performers may still be in training, but there voices are already stunning. Giacomo Puccini […]

Continue Reading