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Review: ‘Unnecessary Farce’ at The Keegan Theatre

With one two-act-long scene, eight loudly slamming doors, and countless head-over-heels tumbles, Unnecessary Farce by Paul Slade Smith makes its hilarious D.C. premiere at...

Review #1: ‘Outside Mullingar’ at The Keegan Theatre

Theatre-lovers searching for a sequel to Doubt—John Patrick Shanley’s prize-winning (and frequently revived) play about nuns and priests in an Irish-American enclave of New...

Review: ‘Marry Harry’ at The York Theatre Company

With apologies to James Morgan and the York Theatre Company (“York Theatre”) for this very late review of their current offering Marry Harry. I...

Review: ‘Marry Harry’ at The York Theatre Company

If you’re in the mood for some pure light-hearted entertainment, Marry Harry, now making its Off-Broadway debut in a limited engagement with The York...

Michael Biello and Dan Martin Are Grooming for the Opening of...

Philadelphia-based artists Dan Martin (composer) and Michael Biello (lyricist) are about to make their Off-Broadway debut this month with Marry Harry at The York...

Review: ‘An Irish Carol’ at The Keegan Theatre

For the 6th year in a row, The Keegan Theatre is paying tribute to the Dickens classic A Christmas Carol, with their production of...

Review: ‘In My Body’ at Flying Bulldog Productions

Flying Bulldog Productions provided a immersive, positive and uplifting evening with their message of self-love in their production of In My Body. The world-premiere...

An Interview with the Producers and the Creative Team of ‘IN...

The popular creative team of composer and musician Dan Martin and lyricist and artist Michael Biello, well-known for their many artistic ventures in both...

Review: ‘Into The Woods’ at Upper Room Theatre Ministry

Once Upon a time, in the city of Manassas, there was a theatre group that was in their 15th year of producing Broadway quality musicals....

‘How to Catch a Leprechaun’ at The Keegan Theatre

This being a show meant for kids, I defer to a critical opinion I overheard right afterward, voiced by a child not yet 5:  “That...

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