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Capital Fringe 2014 Review ‘Love Letter Lost’

(Best of the Capital Fringe) Love Letter Lost, presented by Tut’Zanni Theatre Company, is everything a Fringe show should be: fast paced, highly entertaining, and...

Capital Fringe 2014 Review: ‘Uniform’

You can easily miss him. Lying on the floor in dim light, dressed in grey, still as death, he is easily overlooked. It is...

Capital Fringe 2014 Review: ‘The Monster Songs’

(Best of the Capital Fringe) Dr. Dour and Peach present a delightfully quirky and surprisingly physical performance in The Monster Songs, playing in the Gearbox on 7th St...

Capital Fringe 2014 Review: ‘Self Portrait’

(Best of the Capital Fringe) Upon reading the short blurb attached to Sasha Sinclair's new solo performance piece Self Portrait here, I must confess I found myself...

Capital Fringe 2014 Review: ‘That Kind of Girl’

(Best of the Capital Fringe) "It takes a long time to write words about my body that taste good on my tongue," espouses Natalie Piegari,...

Capital Fringe 2014 Preview: ‘Four Dogs and a Bone’ by Vanessa...

Back­stabbing, greed and the pursuit of fame are just a few of the issues in John Patrick Shanley's Four Dogs and a Bone. The...

Capital Fringe Review: ‘They Call Me Q!’ by Carolyn Kelemen

Qurrat Ann Kadwani is a tour-de-force in her one-woman show It’s got to be tough to do a solo show, opening night at 10 p.m....

Capital Fringe Review: ‘WIGGERLOVER [whiteboy+blackdad=greyareas]’ by Max Johnson

With a title as convoluted as WIGGERLOVER , one might be surprised by the straightforwardness James Anthony Zoccoli’s one man show.  Despite the...

Capital Fringe Review: ‘Body Armor’ by Tobias Franzén

Unstrung Harpist’s production of Body Armor by Evan Crump, the company’s producer, is a play born out of the writer’s need to write a...

Capital Fringe Review: ‘Legal Tender’ By Tzvi Kahn

Legal Tender consists of a series of nine narratively distinct but thematically linked vignettes executed as prose-in-performance pieces, meaning that the action unfolds with...

2013 Capital Fringe Show Preview “Photo Gallery: Behind The Scenes at...

What does one dollar mean to different people? Five actors explore the possibilities in the new show Legal Tender at the Capital Fringe Festival...

2013 Capital Fringe Preview and Interview with ‘They Call Me Q!’s...

Joel: You have won many awards for They Call Me Q. What will Fringe attendees see when they you perform your show? Qurrat: I'm so excited...

2013 Capital Fringe Show Preview: ‘Nephrectomy’ by Elizabeth Hagerty

The life of a twenty-something: young enough to make mistakes, but old enough you should've know better. Utter confusion at the label 'adult'. This...

2013 Capital Show Fringe Preview: ‘WIGGERLOVER’ by James Anthony Zoccoli

WIGGERLOVER writer+performer=jamesanthonyzoccoli deejay+sounddesign=djgregormortis lights+slides=elizabethboros-kazai Where did the term “Caucasian” originate? What does it mean to “Act Black”?  People are all the same on the inside, right? These questions...

REMEMBERING JOEL MARKOWITZ