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Tag Archives | Hanna Eady

Artistic Director Ari Roth.

News: Two Years After Launching Mosaic, Ari Roth Reflects

This piece, “Two Years After Launching Mosaic, Ari Roth Reflects” by Marilyn Millstone was originally published on HowlRound, a knowledge commons by and for the theatre community, on September 12, 2017. Trundling my way to DC’s Mosaic Theater aboard the city’s long-delayed, notoriously expensive but finally operational H Street trolley, I pondered why I’d petitioned […]

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Magic Time!: ‘The Return’ at Mosaic Theater Company of DC

Inside this taut and provocative two-character play—which vividly evokes the political tension between the Israeli state and its Palestinian citizens—there is a startling sex scene, one that vividly evokes the sexual tension between a woman and a man. It is an explicit, erotic hookup with shocking consequences. To the best of my recollection, it is […]

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Review: ‘The Return’ at Mosaic Theater Company of DC, Part of the 2017 Voice From a Changing Middle East Festival

Mosaic Theatre Company of DC concluded their 2017 season with a riveting, deeply provocative examination of a State’s National Security apparatus on dissident individuals living and loving beneath it. The Return by Hanna Eady and Edward Mast has Her (Alyssa Wilmoth Keegan) return to Israel after an eight-year absence in America. Her mission: to repair the […]

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SPINE: Theatre, Culture, and History in the Belly of the Beast: “THE ADMISSION: The Theatre of War and National Identity, Lovely or Otherwise”

I recently experienced Motti Lerner’s The Admission, Theatre J’s production remounted by Busboys & Poets at Studio Theatre (my review is here). The controversy that the play generated was surprising only in the fact that a controversy existed at all. I mean, for the most part, American theatres (Washington theatres included) steer clear of explosively controversial […]

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‘The Admission’ at The Studio Theatre

In playwright Motti Lerner’s provocative and relevant play, The Admission, now playing at The Studio Theatre (as originally produced by Theater J), the question of when does the personal become the political and vice-versa becomes paramount. This tension between the personal and the political seems to comprise the crux of this bold and stimulating play. […]

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‘The Admission’ at Theater J by John Stoltenberg

As many who follow local theater news know, Theater J’s production of The Admission has been preceded by an offstage drama—a who’s-right/who’s-wrong argument, a what-really-happened/what-really-didn’t-happen controversy that has provoked passions and incited a considerable clash of intellection.  Turns out, the onstage drama of the play itself—the extraordinarily artful disputation playwright Motti Lerner has crafted for his seven […]

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