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Review: ‘Digital Eye: Interactive Event Merging Theater Explores Privacy in the...

 Big Brother Really, Really Likes You Your online identity does not belong to you. Digital Eye, a transatlantic theater project that was presented Monday and...

2017 Capital Fringe Review: ‘Exit Carolyn’

I love Fringe. And like many theatergoers, I head off each day with tolerance and hope. The tolerance is for shows that are long...

The Women’s Voices Theater Festival: ‘Whenever You’re Near Me I Feel...

Whenever You’re Near Me I Feel Sick, a new play written and directed by Jennie Berman Eng and produced by similarly nascent company Thelma...

Spine: An Interview with Playwright Jennie Berman Eng on ‘Whenever You’re...

The Women's Voices Theater Festival, more than fifty world premiere plays written by women -- now that's a happening! I am as excited by the...

Women’s Voices Theater Festival: Pat Connelly’s ‘Princess Margaret’ Opens September 19,...

What happens when a religious institution like the Catholic Church puts the reputation and status of its priests and nuns ahead of the needs...

The Women’s Voices Theater Festival: Jennie Berman Eng’s ‘Whenever You’re Near...

Did the one who got away really get away? Does the right match come down to timing, or compatibility, or courage to take a...

Capital Fringe 2014 Review: ‘Bethesda’

(Best of the Capital Fringe) Did you know Bethesda means House of Mercy? In Jennie Berman Eng's new play , the city may be anything...

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