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2017 Capital Fringe Review: ‘Numesthesia’

“Torture numbers,” author Gregg Easterbrook once wrote, “and they’ll confess to anything.” David S. Kessler, a masterful storyteller aided by onstage musicians and projections...

2017 Capital Fringe Review: ‘Contractions’

At this point, there’s an entire genre of books, TV shows, and films about bad bosses and the bizarre vagaries of corporate workplaces. One...

2017 Capital Fringe Review: ‘Just Like a Woman’

The tagline for Larry E. Blossom’s latest Capital Fringe offering, Just Like A Woman, is “Will Trans Trump Fear in These Troubled Times?” Unfortunately, neither...

2016 Capital Fringe Review: ‘Over Her Dead Body’

“All you fair and tender ladies – beware of how you court your men.” Returning Fringe-favorites Pinky Swear Productions have a lot to live up...

Capital Fringe 2014 Review: ‘Olizzia’

(Best of the Capital Fringe) First-time playwright John Bavoso’s inventive and appealing script for Olizzia would make a terrific indie rom-com caper that would be a hit...

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