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Review: ‘The Tempest’ at Annapolis Shakespeare Company

Annapolis Shakespeare Company’s production of Shakespeare’s The Tempest is a colorful, spirited spectacle. Co-directed by Donald Hicken and Sally Boyett, The Tempest is performed outdoors,...

Review: ‘The Massive Tragedy of Madame Bovary’ at Curio Theatre Company

How do you turn one of literature’s greatest tragedies into a raucous comedy? Very carefully. I read Madame Bovary in high school, and while it’s...

2016 Philadelphia Fringe Festival Review: ‘Omeletto: Like Hamlet, Only Scrambled’ at...

Commedia dell’arte meets Shakespeare in Ombelico Mask Ensemble’s original deconstruction of Hamlet. Omeletto: Like Hamlet, Only Scrambled synthesizes all of Shakespeare’s dramatic characters with...

Review: ‘The Complete Works of William Shakespeare, Abridged’ at Annapolis Shakespeare...

Annapolis Shakespeare Company has done an excellent job with their production of The Complete Works of William Shakespeare, Abridged, written by Adam Long, Daniel...

‘Twelfth Night’ at The Maryland Shakespeare Festival by Amanda Gunther

Be not afraid of greatness, for some are born great, some achieve greatness, and others have greatness thrust upon them. The audiences of The...

Capital Fringe Review: “Dead Man’s Mambo’ by Carolyn Kelemen

Who would have thought Dead Man’s Mambo would have come from such a lofty art form as commedia dell’arte. But John Bellomo, a Philadelphia comedian/Italian traveler/funny...

Coming to The Capital Fringe Festival: ‘Dead Man’s Mambo’ by John...

Philadelphia based OMBELICO Mask Ensemble is presenting the D.C. Premiere of Dead Man’s Mambo as part of the 2012 Capital Fringe Festival. Dead Man’s Mambo is a...

REMEMBERING JOEL MARKOWITZ