Home Tags New York City

Tag: New York City

Review: ‘Red Roses, Green Gold’ at Minetta Lane Theatre

Calling all Dead Heads! The classic songs of your favorite band have been reincarnated for the stage at Minetta Lane Theatre, in a new...

Review: ‘This One’s for the Girls’ at St. Luke’s Theatre

Sociological research project meets PPT lecture meets jukebox musical in Professor and Playwright Dorothy Marcic’s This One’s for the Girls, produced by William Franzblau...

Review: ‘Fire’ by Chatillion Stage Company at Theatre 54 at Shetler...

On March 25, 1911, fire raged through the 8th to 10th floors of the Triangle Shirtwaist Factory by Washington Square Park. In less than...

Fringe Encore Series 2017 Review: ‘Turbulence!’ at SoHo Playhouse

Musical-comedy improv troupe Robot Teammate has landed in New York with an energetic hour of silly sci-fi fun in Turbulence!, now performing at SoHo...

An Interview with Erik Ransom on the Development of His New...

Just back from a production of his musical GRINDR: The Opera in Florida, Erik Ransom organized a private developmental reading of his latest work...

Fringe Encore Series 2017 Review: ‘Kafka and Son’ at SoHo Playhouse

In November 1919, the 36-year-old Modernist writer Franz Kafka wrote a searing 45-page letter to his domineering father Hermann, dissecting his tyrannical attitude and...

Fringe Encore Series 2017 Review: ‘6 Guitars’ at SoHo Playhouse

Despite the hiatus of FringeNYC in 2017, SoHo Playhouse is presenting a full line-up for its 12th annual Fringe Encore Series in September and...

Review: ‘A Clockwork Orange’ at New World Stages

Ranked among the greatest novels of the 20th century, A Clockwork Orange – British author Anthony Burgess’s alarming vision of a dystopian future fueled...

‘No Ransom To Be Paid’ at Pangea: An Update on ‘GRINDR:...

Featured this summer in producer Ed Miller’s No Ransom To Be Paid four-part series at Pangea, the presented works of writer/composer/musician/actor Erik Ransom include...

Review: ‘A Never-Ending Line’ at The Players Theatre

Conceived by Composer and Director Jaime Lozano as a loving tribute to the women in his life and his matriarchal upbringing, A Never-Ending Line,...

Review: ‘Lili Marlene’ at St. Luke’s Theatre

Taking its name from the romantic wartime ballad famously recorded by Marlene Dietrich in 1945, and which, in its earlier German and English versions,...

Review: ‘Gruff!’ at the McGinn/Cazale Theatre

Part of the first Summer Family Theater Festival at the McGinn/Cazale Theatre, Gruff!, a co-presentation by Vital Theatre Company and Doppelskope, is everything that...

Review: ‘A Real Boy’ at 59E59 Theaters

In the world premiere of A Real Boy, presented by Ivy Theatre Company in association with Athena Theatre at 59E59, playwright Stephen Kaplan significantly...

Review: ‘Georama’ at the New York Musical Festival

The rise and fall of the largely forgotten 19th-century American artist John Banvard is the subject of Georama, an irresistible bio-musical by West Hyler...

Review: ‘New York – The Melting Pot’ at Soulpepper on 42nd...

The first in Soulpepper Theatre Company’s three-part musical celebration of the history of diversity in New York - The Melting Pot pays tribute...

Review: ‘Night Tide’ at the New York Musical Festival

Ancient sea lore meets Sixties beach party in Night Tide, a new musical parody by Taylor Tash (book and lyrics) and Nathania Wibowo (music),...

Review: ‘Alligator Pie’ at Soulpepper on 42nd Street

Adapted from the verses of beloved children’s book author and poet Dennis Lee - known to generations of fans as “Canada’s Father Goose” –...

Review: ‘Cage’ at Soulpepper on 42nd Street

The avant-garde work and Zen convictions of 20th-century American composer John Cage are the inspiration for Soulpepper Theatre Company’s ensemble-devised piece Cage, performed in this...

Review: ‘Matthew McConaughey Vs The Devil’ at the New York Musical...

Deserving recipient of an Academy Award for Best Actor, or modern-day Faust who sold his soul to capture Hollywood’s biggest honor? Emilie Landmann (book),...

Review: ‘Of Human Bondage’ at Soulpepper on 42nd Street

The first-ever stage adaptation of W. Somerset Maugham’s Of Human Bondage, written by Vern Thiessen and directed by Albert Schultz for Canada’s Soulpepper Theatre...