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Review: Source Festival 2017: ‘Perfect Arrangement’

Perfect Arrangement by Topher Payne was a smash hit at Source Festival when it debuted there four years ago, and the comedy's return to...

‘Alfred Jarry and Ubu: An Opening Night to Remember’

“Merdre!” This elaboration on the French word “Merde!” caused a sensation in 1896, at the premiere of Ubu Roi (King Ubu) in Paris. Half...

Review: ‘Fringe POP [Performance over Projection]’ at Capital Fringe-

Fringe POP is an interesting and laudable new theatrical experiment from the Capital Fringe creative team. Fringe POP, which launched last night at...

2015 Capital Fringe Review: ‘ALICE’

Alice was colorful, in every sense of the word. And that was good. Adapted from Lewis Carroll’s book, Alice in Wonderland, Alice, directed by...

Source Theatre Festival 2015: ‘Science and Soulmates’ 10-Minute Plays

Quadratic equations and heart palpitations dominate Science and Soulmates, one third of the 2015 Source Festival’s series of ten minute plays. These six short...

Capital Fringe 2014 Review: ‘Miss Emma’s Matchmaking Agency for Literary Characters’

(Best of the Capital Fringe) A modern incarnation of Emma Woodhouse runs a matchmaking business for literary lonely heats. With a little harmless manipulation and...

Capital Fringe Review: ‘Body Armor’ by Tobias Franzén

Unstrung Harpist’s production of Body Armor by Evan Crump, the company’s producer, is a play born out of the writer’s need to write a...

REMEMBERING JOEL MARKOWITZ