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From Bethlehem to Philadelphia: An Interview with Rami Khader, Director of...

Director Rami Khader, along with a group of talented and committed artists, both male and female and of differing ages and backgrounds, founded Diyar...

Review: ‘I Am Not My Motherland’ at Orbiter 3 in Philadelphia

I Am Not My Motherland, the latest play from the Orbiter 3 playwriting collective, is about a medical operation that has complications, and about...

The Long View: ‘Wrestling Jerusalem’ at Mosaic Theater Company of DC

Wrestling Jerusalem is a luminous revelation on the sacred and the profane and the clash between the two. It illuminates the struggle between sacred dreams and...

2015 Capital Fringe Preview #21: ‘It’s What We Do’: A Play...

At the end of my play, It’s What We Do, Ilan, an Israeli Defense Forces soldier, says: “I’m standing guard at a post, aiming my...

Ari Roth’s Mosaic Theater Company’s Inaugural 2015-2016 Season Lineup is Announced

Ari Roth's Mosaic Theater Company's Inaugural Season Lineup is Announced The inaugural season of Ari Roth's new Mosaic Theater Company  has been announced:   Unexplored Interior (This is...

‘The Imperative to Reconcile’: A Conversation with Ari Roth by John...

In the week following Ari Roth’s firing as Artistic Director of Theater J, I talked with him about his vision of theater. It was...

‘The Admission’ at The Studio Theatre

In playwright Motti Lerner’s provocative and relevant play, The Admission, now playing at The Studio Theatre (as originally produced by Theater J), the question...

‘The Admission’ at Theater J by John Stoltenberg

As many who follow local theater news know, Theater J’s production of The Admission has been preceded by an offstage drama—a who’s-right/who’s-wrong argument, a what-really-happened/what-really-didn’t-happen controversy...

REMEMBERING JOEL MARKOWITZ