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Review: ‘Wrestling Jerusalem’ at Philadelphia Theatre Company

It’s been said that one of the problems with politics these days is that people talk but don’t listen. Opposing political sides state their...

2015 Capital Fringe Preview #21: ‘It’s What We Do’: A Play...

At the end of my play, It’s What We Do, Ilan, an Israeli Defense Forces soldier, says: “I’m standing guard at a post, aiming my...

‘The Imperative to Reconcile’: A Conversation with Ari Roth by John...

In the week following Ari Roth’s firing as Artistic Director of Theater J, I talked with him about his vision of theater. It was...

‘The Admission’ at The Studio Theatre

In playwright Motti Lerner’s provocative and relevant play, The Admission, now playing at The Studio Theatre (as originally produced by Theater J), the question...

Film Review: ‘The Unknown Known’

  SUBJECT: What You Know There are known knowns. There are known unknowns. There are unknown unknowns. But there are also unknown knowns—that is to say, things that you...

‘The Admission’ at Theater J by John Stoltenberg

As many who follow local theater news know, Theater J’s production of The Admission has been preceded by an offstage drama—a who’s-right/who’s-wrong argument, a what-really-happened/what-really-didn’t-happen controversy...

REMEMBERING JOEL MARKOWITZ