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Review: Off the Quill’s ‘Frankenstein’

First, to avoid any confusion, let me state what this Frankenstein is not: It is not the Mel Brooks musical Young Frankenstein, with “Abby...

DCMetroTheaterArts’ Best of 2016 #12: Best Direction of Plays in Professional...

Here are the DCMetroTheaterArts Staff's honorees for Best Direction of Plays in Professional Theaters in 2016. Congrats to all our honorees! THE BEST DIRECTION OF...

Review: ‘A Few Good Men’ at Off the Quill

Fresh off their DCMTA “Best of Capital Fringe 2016” production Timon 2016, Off the Quill (OTQ) brings a faithful adaptation of Aaron Sorkin’s 1992...

‘The Complete Works of William Shakespeare (Abridged! Revised!)’ at Off the...

With our calendars getting increasingly crowded and revisiting the plays we read (were supposed to read/wanted to read/never thought of reading) in high school...

‘Hamlet: Believe None of Us’ at Off the Quill

Blending a mix of performance mediums, including modern dance, contemporary music and stage combat, Off the Quill (OTQ)’s Hamlet: Believe None of Us reconceives the...

’84, Charing Cross Road’ at Off the Quill

In James Roose-Evan’s stage adaptation of Helene Hanff’s classic memoir, 84, Charing Cross Road, Off The Quill tackles something quite different from their usual...

‘The Creation of the World and Other Business’ at Off The...

The future can be no more turned away than light flowing off the moon, and a brand new company is making its first stage-play...

Capital Fringe Review: ‘Violent Delights: A Shakespearean Brawl-esque Sideshow’ by JR...

Violent Delights: A Shakespearean Brawl-esque Sideshow, presented by Off the Quill, was a wonderful inaugural piece by the self-identified experimental theater company. The overture...

REMEMBERING JOEL MARKOWITZ