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Best Medicine Rep Presents ‘New Plays/New Voices’: A Festival of Plays...

Join Best Medicine Rep this Saturday at 1 pm for a free and funny celebration of arts education! New Plays/ New Voices, a second annual festival of work written...

Review: ‘Phaeton’ at Taffety Punk Theatre Company

Phaeton, now on stage at Taffety Punk's Capital Hill Arts Workshop, is a world premiere. Inspired by the Greek myth, the man-god Phaeton is granted...

2015 Capital Fringe Review: ‘Cold as Death’

It’s hard to be in a love triangle where the girl is dead. Cold as Death, Guillotine Theatre’s offering for this year’s Fringe, revolves around...

2015 Capital Fringe Preview #9: ‘Cold As Death’

“People ask me ‘where do you find these plays?’ says Catherine Aselford, Artistic Director of Guillotine Theatre, “and I always wonder why they don’t...

‘Hope Operas’ Week One at the Comedy Spot

Back in the ‘30s they called ‘em Cliffhangers. They were weekly serials that played before a main feature at the movies. They turned into...

Capital Fringe 2014 Review: ‘Isis and Vesco Investigate the Curious Death...

(Best of the Capital Fringe) Longtime DC theater company Guillotine Theatre mounts a new play by Monique LaForce that is a crazy mash-up between Egyptian...

Capital Fringe 2014 Preview: ‘Isis and Vesco Investigate the Curious Death...

Mary Washington Drama Prof Finds New Challenge in Fringe Show Cate Brewer, a lecturer in theatre at the University of Mary Washington, is spending her...

Capital Fringe Review: ‘Carry a Big Stick’ by Erica Laxson

Carry a Big Stick produced by Bull Moose Theatre and written by playwright Paul Handy is a true political storytelling adventure. Delving into the...

2013 Capital Fringe Show Preview: ‘Carry a Big Stick’ and Interview...

Cate Brewer asks Catherine Aselford about her Capital Fringe show Carry a Big Stick. Cate: Why is your production of Carry a Big Stick a...

REMEMBERING JOEL MARKOWITZ