Tag Archives | Todd Scofield

Kyla Garcia in Sovereignty. Photo by C. Stanley Photography.

Review: ‘Sovereignty’ at Arena Stage

Sovereignty, the long-heralded new play by Mary Kathryn Nagle – a member of the Cherokee Nation and one of barely a dozen Native American playwrights writing today – has arrived. Inspired by a Supreme Court case that was heard just two years ago, the play, now in its world premiere at Arena Stage, is one […]

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Maboud Ebrahimzadeh (Henry Condell). Photo by Kaley Etzkorn.

Review: ‘The Book of Will’ at Round House Theatre

For the love of Shakespeare! There’s no doubt that Americans love their Shakespeare. In fact, many consider him America’s best playwright—? Then again, many Americans also love their fake news. But, if you love your Shakespeare, then you’ll love Lauren Gunderson’s The Book of Will, now playing at Bethesda’s Round House Theatre. By the end, […]

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Review: ‘Our Town’ at Olney Theatre Center

Thornton Wilder’s New Hampshire creation, Grover’s Corners, sits on some of the oldest rock in the world: “a shelf of Devonian basalt” crossed with “vestiges of Mesozoic shale,” we’re told. The oldest headstones in the cemetery are from the late 1600s, and filled with names that still populate Grover’s Corners in 1901, when the play Our […]

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Post-Play Palaver: ‘Three Sisters’ and ‘No Sisters’ at Studio Theatre

Post-Play Palaver is an occasional series of conversations between DCMetroTheaterArts writers who saw the same production—in this case the same two productions, Chekhov’s Three Sisters and Aaron Posner’s No Sisters, now both playing at Studio Theatre—and just had to keep talking about what they saw. Senior Reviewer and Columnist Andrew Walker White in his review […]

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Review: ‘Three Sisters’ at The Studio Theatre

As improbable as it may sound, the plays of Anton Chekhov are vivid proof that there is such a thing as joyful melancholy. You can commune with his characters’ misfortunes and acknowledge the essential unfairness of life—the lost loves, missed opportunities, the great and petty slights – while gearing up for another day and, yes, […]

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Review: ‘Wait Until Dark’ at Everyman Theatre

A policeman. A con man. An old friend. A blind woman. A lost doll. A murder. Everyman Theatre (“Everyman”) kicked off its 2016-17 season on Friday with the suspenseful thriller, Wait Until Dark, a play penned by Frederick Knott (of Dial M for Murder fame) and later adapted by Jeffrey Hatcher. The hard work of […]

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Review: ‘The Little Mermaid’ at Imagination Stage

Imagination Stage, in collaboration with The Washington Ballet, presents the world premiere of The Little Mermaid. This creative partnership follows the highly acclaimed award-winning production The Lion, The Witch, & the Wardrobe (2012), and like the former, fuses music,  theatre, dance, and puppetry to create a thrilling and expressive performance. Adapted from Hans Christian Anderson’s classic, […]

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Review: ‘The City of Conversation’ at Arena Stage

In the daring new play about Washington politics and the halcyon days of genteel social hostesses, The City of Conversation, (now playing at Arena Stage) the word “conversation “ is most decidedly a polite euphemism for today’s more applicable words such as “gossip,” “back biting,” and “slander.” Time marches on and the viciousness of people […]

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DCMetroTheaterArts’ Best of 2015 #8: Best Performances in a Play in Professional Theatres

The staff of DCMetroTheaterArts is honored to announce that their Best of 2015: Best Performances in Plays in Professional Theatres go to:  BEST ACTOR IN A PLAY Josh Adams as Billy in The Cripple of Inishmaan at Scena Theatre. Matthew Ancarrow and Robby Rose as ‘The Twins’ in The Comedy of Errors at Chesapeake Shakespeare Company. Aaron […]

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‘Stage Kiss’ at Round House Theatre (Review #2)

The line between art and life become colorfully blurred when two actors are unexpectedly reunited in Pulitzer Prize and Tony Award nominee Sarah Ruhl’s romantic backstage comedy Stage Kiss, which made its regional opening premiere last night at Bethesda’s Round House Theatre. Set on a transitional, rotating stage (expansively designed by Tony Cisek), a nameless pair of performers, […]

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‘Stage Kiss’ at Round House Theatre

Plays about playmaking have an enduring appeal. Think Noises Off, Six Characters in Search of an Author. Shows about shows on the musical stage have indelible charm. Think Chorus Line, Kiss Me Kate. Metatheatricality can even inspire great moviemaking. Remember how Birdman reinvented cinematic narrative? This sort of stuff is Sarah Ruhl’s forte. Her script […]

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A Report from Page-to-Stage: Theater J’s ‘Falling Out of Time’ and ‘Love Godfrey/Love George’

Theater J offered a first look at its adaptation of Falling Out of Time, David Grossman’s powerful saga of parental loss, at this year’s Page-to-Stage Festival held at The Kennedy Center last weekend. The reading, performed by a cast of eight actors, was a ‘first’ in many ways, according to Acting Artistic Director Shirley Serotsky, […]

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‘NSFW’ at Round House Theatre Company

Round House Theatre just opened a stunningly good production of NSFW directed by Meredith McDonough. The script by British playwright Lucy Kirkwood is a marvel in itself, because it is a scathingly hilarious comedy and much more. The jokes, which erupt nonstop—like popcorn on a hot skillet, and just as scrumptious—have been spiked with something serious. […]

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‘Mary Stuart’ at The Folger Theatre

Mary, Mary quite contrary, how does your garden grow? With silver bells, and cockle shells, and pretty maids all in a row.” This nursery rhyme is often said to be about Mary Stuart. The pretty maids all in a row were her ladies, known as the “Four Maries” who were famous for their beauty and […]

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‘Freud’s Last Session’ at Theater J

If conversation were kindling, this two-hander would combust. If argumentation were edible, this debate would be delectable. If a supersmart script played by two stellar actors were a spectator sport, this play would have a stadium cheering both sides at once. As an intense and absorbing experience in the theater, Freud’s Last Session by Mark St. Germain, […]

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