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Review: LiveConnections Presents Fifth House Ensemble + Jason Vieaux at World...

LiveConnections Presents kicked off its new season in rousing fashion with an evening of music from the Chicago-based Fifth House Ensemble and classical guitarist...

Review: ‘Finding Neverland’ at the Academy of Music

I went into Finding Neverland with high hopes. I had been enchanted by the 2004 film from which this musical has been adapted. The story,...

Review: ‘As You Like It’ by Delaware Shakespeare – On Tour

In 2016, Delaware Shakespeare began a new program: the Community Tour. This program is a bold initiative, designed to “bring a professional theater production...

2017 Philadelphia Fringe Festival Review: ‘A Period of Animate Existence’ by...

If you open the dictionary and look up the word ‘life,’ one entry reads: ‘a period of animate existence.’ Composer Troy Herion gives this explanation...

Review: ‘Cheeks’ at Plays and Players Theatre

First things first: Lee Minora’s solo show Cheeks is a laugh riot. Do not miss an opportunity to see this show. It is both...

2017 Philadelphia Fringe Festival Review: ‘Cotton&Gold’ by AMH Productions at Circle...

Cotton&Gold is a new play by writer/director Alyse M. Hogan, a 2017 University of the Arts graduate, and her company AMH Productions, which describes...

2017 Philadelphia Fringe Festival Review: ‘Home’ at the Prince Theater

Home is the newest theatrical confection of Fringe favorite Geoff Sobelle, and a can’t-miss part of the current festival. The first 70 minutes are...

2017 Philadelphia Fringe Festival Review: ‘Life Lines’ by Tangle Movement Arts...

Life Lines is a new, collectively-developed work by the all-female ensemble Tangle Movement Arts. Tangle’s work is mostly derived from circus arts, particularly aerial...

Review: ‘Hir’ at Simpatico Theatre Project

Two staples of American drama have been the “kitchen-sink play,” which feature small casts and meticulously detailed, usually lower-middle class, settings, and what I’ll...